INTERTEXSTUALITY IN QUTLIBEKA RAHIMBOYEVA’S POETRY

Аннотация

This article will focus on intertextuality and its place in literature, its function, and in the work of the poet Qutlibeka Rahimboeva, one of the representatives of Uzbek literature, it will highlight its artistic significance, its expression and forms in poems, the importance of intertextuality in expressing the idea and purpose of creative fiction. Key words: intertextuality in poetry, artistic text, intertextual dialogic communication, forms of intertextuality: image method, one -time gesture or direct quote It is known that Intertextuality as a term was first introduced to the science in 1967 by the French structural researcher Y. Kristeva: "Intertextuality is a social whole that is considered as a single text expressed in the presence of connections between texts to express the general nature of texts."1 According to him, any text is considered as a result of endless communication with other texts that are an integral part of the universal "cultural text", that is, as a sum of all printed texts that make up the cultural heritage. Y. Kristeva developed her concept of intertextuality in 1924 on the basis of revision of M. Bakhtin's work. "M. Bakhtin dwells on the laws of the existence of literature, every work reflects the reality of the creator, and is in regular dialogue with the literature of his predecessors and contemporaries. That is, he knows that the existence of literature has an intersubjective nature. And Y. Kristeva, who emphasized the formal side of M. Bakhtin's teaching, limits the dialogue to the scope of texts and brings intertextuality to the foreground instead of intersubjectivity.2 "Intertextuality appears in a literary text in various forms: intertextual communication is manifested in thoughts, in the form of imagery, in the form of a one-time allusion or direct quotation."3 There is a person who learns life from his surroundings, from nature, from the experience of his elders, observes, follows and imitates the existence of his environment. 1 Kristeva Y. Bakhtin, words, dialogue and novel // French semiotics: From structuralism to poststructuralism / translation from French, comp., introductory article. G.K. Kosikova M: IG Progress, 2000. P. 27. 2 Kuronov D. Dictionary of literary studies. - Tashkent. Academic edition, 2013. 3 Chotchaeva M., 2. Sosnovsky V. Postmodernism in the culture and literature of our time // Bulletin of ASU, 2017, No. 2. – Page 180. 129 THEORETICAL ASPECTS IN THE FORMATION OF PEDAGOGICAL SCIENCES International scientific-online conference Various forms of intertextual texts can be found in Uzbek literature and modern poetry. In particular, we will consider the forms of expression of intertextual texts in women's poetry, including the work of Qutlibeka Rahimboyeva, through the following examples: Ichkarida kimman men... Dunyoni ko’raman asl rangida, Jasorat qo’rquvni o’tadi yanchib. Qochmayman nohaq-u haqning jangidan, Tomoshabin emas, bo’laman jangchi. Tashqarida kimman men... Osmonni bilsa-da, yetmaydi boshim. Zohirim mayishar turmaydi tikka. Payg’ambar yoshidan o’tsa-da yoshim, Sodiq xizmatkorman tirikchilikka.4 This poem of the poetess was written based on the line “Ichkarida ham o’zim, tashqarida ham o’zim...” taken as an epigraph from one of the young poets, Jontemir Jondor. Poet Qutlibeka partially abandons the form in these lines and completely preserves the content. At the beginning of the stanza, he asks a rhetorical question, "Who am I inside..." and in the next four lines describes his inner "me". The next paragraph continues in the same way, only the rhetorical question is asked in the form of "Who am I outside..." and the answer is described through the next lines. It can be seen that in the lines, the lyrical hero is talking about his inner and outer "I" and not someone else. Summarizing the expression and content of the poem, we understand that the poetess wants to say "I am myself inside, I am also outside...". On the example of the same poem by Qutlibeka, we will consider the next form of expression of intertextuality: Tashqarida kimman men... “Baxt” so’zini aytaman hammadan ortiq, “Baxt” so’zini aytaman hammadan oldin, Daryoni sog’inib yotsa-da tuproq, Holin so’ramayman, so’rayman oltin.5 In this poem, the poetess contrasts her inner and outer self while comparing her inner self and her outer self. That is, the external "I" of the lyrical hero acts against the inner me, sometimes selfishly, even though he does not want to, due to the demands of the society and the socio-economic environment. 4 Qutlibeka. Lightning season. Sahhof, Tashkent. 2022. P.48 5 Qutlibeka. Lightning season. Sahhof, Tashkent. 2022. P.48 130 THEORETICAL ASPECTS IN THE FORMATION OF PEDAGOGICAL SCIENCES International scientific-online conference In order to express our opinion more clearly, below is an excerpt from the poet Shavkat Rahman's poem about the "Baxt so`zi": Bu so’zni bir umr aytmay yashadim, Har shodlik kelganda yurdim sekinroq. G’am so’zin elimdan avvalroq ay