THE CONCEPT OF SINGING IN A MASK

Аннотация

In this article, the concept of mask performance in vocal art is explained about the correct placement of the voice and information about it. Gilt words: vocals, art, mask, performance, sound, breath. КОНЦЕПЦИЯ ПЕНИЯ В МАСКЕ Аннотация. В этой статье объясняется концепция исполнения в маске в вокальном искусстве, правильная постановка голоса и информация о ней. Позолоченные слова: вокал, искусство, маска, исполнение, звук, дыхание. The term "vocal" literally means "mask" - from Italian "Maschera" (maschera). The sound of the performer's voice is related to the nasal cavity and adjacent nasal cavities. The concept of the mask is located on the upper part of the face. The concept of performance in the mask - it is self-evident in the performance that 1 makes the performance sound higher by fully using the upper resonators. As pedagogue Vitta said: "The correct placement of the sound is to direct the sound to the mask and hold it (keeping it at the root of the upper teeth). The sound on the mask should be so clearly visible that your upper teeth can hear it. it is necessary to be able to feel how it hits the root as if it were a sight. The further the pivot point is pushed in, the clearer the sound is heard, which makes the sound deeper and creates conditions for the sound to stay in the throat. The question arises: how to push this point of attack to the root of the upper incisors? A simple problem can help solve this. Open your mouth and insert your index finger deep into it, palm down. Pressing the finger on the upper palate with the tip of the tongue, inhale and begin to exhale slowly, like the light of a lantern gathered into a knot. The index finger is pressed against the palate, and it feels the heat of the air flow coming out like a gun scale, the hottest part of the fingers is the point of attack of exhalation, and the sound wave flow also touches this place during performance. It is possible to achieve this by gradually concentrating on one place, it is not difficult to realize that the point has moved to the root of the upper teeth. From this it can be concluded that it is necessary to check these feelings with sound: listen carefully to your voice, look for purity, clarity: in addition, listen to your feelings and remember them. The 20th century French scientist R. Yusson identified this problem: "Three parts of the face have a reflex connection with the nervous organs, the part of the nasal cavity and its adjacent cavities, and the vocal muscles." The correct transmission of this sound (air flow) stimulates the facial nerve, raises the tone of the vocal muscles that transmit it to the dome of the palate, and enhances the clarity, sonority, and timbre of the voice. Ancient Italian pedagogues recommend the following exercises to feel the "Concept of performance in a mask" "Say the sounds "M-N-V" in a comfortable tone, make a shrill sound, and feel the freedom in the lips and upper teeth, in the wide throat." If the root of the tongue is tense, we can raise it, then these feelings will not end. These exercises are first performed with an open sound "N-N-N-N", and then with a closed sound "M-M-M-M". These exercises help to get rid of 5 59 International scientific journal ISSN: 2181-3906 «MODERN SCIENCE АND RESEARCH» 2024 VOLUME 3 / ISSUE 10 / UIF:8.2 / MODERNSCIENCE.UZ sore throat, so they are included in the routine. "N-N-N-N" and "M-M-M-M" in the movement of the sound under the name of "nuirash", the exercises of the "marash" principle will help in this. Pronounce the letters: "MA-M1-MO- MU" by attracting the sound "M" in the mask (upper lip tickling and upper teeth root zone) without changing the feeling of the next vowel sound, and the flow of the sound and its strength g There should not be any tension in the throat while directing the throat. The work is very comfortable and begins with a vowel sound, of course, since all the llalyan vocalists live in a lower environment and a hot climate, the influence of Im niashks is obvious. Because the sun and the sea exist in this environment, it is self-evident that a person is freed from constriction. In our cold, wet, ever-changing environment, all human emotions are different. The actors of the theater "LA SCALA", who were guests at our place, wondered how vocalists live and perform here, because the atmosphere here is warm and causes heavy contractions. Our beginner performers often suffer from laryngeal tightness, to counter this the raised shoulders must be very dexterous, and exercises and training should not reinforce these deficiencies. About this dangerous phenomenon, M.E. Dones Geysor says: "It is necessary to be very careful when making the marash, it is necessary not to engage in it, because it causes the soft palate to rise incorrectly, that is, it causes the causes. Kalla calls the sensation of the head resonator, the sensation of blood. This ensures that the sound is collected, that it is in a high position." We were talking about the mask