SEMANTICS OF GEOMETRIC FIGURES IN MODERN FACADE SOLUTIONS

Аннотация

Thearticle considers theproblem ofvisual information content ofmodern architecture. Architecture and the emotional world of a person are interconnected. The loss of the inherent information content by architecture has a negative impact on the quality of the urbanized environment of modern cities. The semantics of architectural images built on the basis of geometric figures has its own temporal development. The geometric figure as an archetype retains its key role in creating the image of an architectural object. However, the traditional reading of theform in modern design practice receives anewunderstanding. Keywords:geometric figure, archetype, semantics, facade, visual information. ZAMONAVIYFASAD YECHIMALARIDAGEOMETRIK SHAKLARNING SEMANTIKASI. KarimjonKuranbayevich Polotov Andijondavlat texnika institutekatta o’qituvchisi, Andijon, O’zbekiston Annotatsiya: Maqolada zamonaviy arxitekturaning vizual axborot mazmuni muammosi ko'rib chiqiladi. Arxitektura va insonning hissiy dunyosi o'zaro bog'liqdir. Arxitekturaga xos bo'lgan axborot mazmunining yo'qolishi zamonaviy shaharlarning shahar muhiti sifatiga salbiy ta'sir ko'rsatmoqda. Geometrik figuralar asosida qurilgan meʼmoriy obrazlar semantikasi oʻziga xos vaqtinchalik taraqqiyotga ega. Geometrik figura arxetip sifatida meʼmoriy obʼyekt obrazini yaratishda oʻzining asosiy rolini saqlab qoladi. Biroq, zamonaviy dizayn amaliyotida shaklni an'anaviy o'qish yangi ma'noga ega. Kalitso'zlar: geometrik figura, arxetip, semantika, fasad, vizualma'lumot. СЕМАНТИКАГЕОМЕТРИЧЕСКИХФИГУР В СОВРЕМЕННЫХФАСАДНЫХ РЕШЕНИЯХ Каримжон Куранбаевич Полотов старший преподаватель,Андижанский государственный технический институт,Андижан,Узбекистан Аннотация: В статье рассматривается проблема визуальной информативности современной архитектуры. Архитектура и эмоциональный мир человека взаимосвязаны. Потеря архитектурой присущей ей изначально информативности негативно отражается на качестве урбанизированной среды современных городов. Семантика архитектурных образов, построенных на основе геометрических фигур, имеет свое временное развитие. http://www.internationaljournal.co.in/index.php/jasass 677 Volume15Issue03, March2025 Impact factor: 2019: 4.679 2020: 5.015 2021: 5.436, 2022: 5.242, 2023: 6.995, 2024 7.75 Геометрическая фигура как архетип сохраняет свою ключевую роль в создании образа архитектурного объекта. Однако традиционное прочтение формы в современной проектнойпрактикеполучает новоеосмысление. Ключевые слова:геометрическая фигура, архетип, семантика, фасад, визуальная информация. Modern architecture strives to follow the latest technical advances and maintain continuity in its development. Therefore, the tendency to combine different disciplines is spreading. Architecture as a socially oriented field of activity is developing in the direction of involving sociology, psychology, economics and technical sciences in the design process. As a result, many interdisciplinary studies have appeared that look at the problems of modern architecture from different perspectives. Much attention is paid to architectural phenomenology, the phenomenon of visual perception, coloristics and the basics of composition. Primary geometry issues are still poorly resolved in facade details. Architectural form is considered as a system, which is very reasonable. However, the role of individual elements of this system in terms of information content has not been sufficiently studied. In addition, the communication requirementsfor thearchitectural environment are increasing every year. At the end of the 20th century. Much attention was paid tolearning the language of architecture. Researchers associate this phenomenon with the processes of style formation. Already in the second half of the 19th century. simultaneous presence of different stylistic directions is observed. It is this variety that has led to the expansion of semantic interpretations of individual elements in theimage of an architectural object. Modern architecture is characterized by the active use of innovative technologies both at the design stage and during project implementation. This led to the emergence of new "non- canonical"[p. 3,4]metaphors inthearchitectural language. Architecture has its own semantics as part of the modern communication environment [2]. Semantics studies the rules of interpretation of symbols, i.e. touches on figurative and symbolic aspects ofarchitecture [9, p.81-82]. Geometry forms the basis of architecture and actively participates in the formation of its language. Simple geometric figures (archetypes) originally carried a semantic load [6]. Ancient man used symbols to express his thoughts about theworld around him. We can find images of such symbols on various household items, walls of houses and clothes. All decorative compositions are created on their basis. Images of geometric figures-symbols are often found in such compositions: circle-sun, square-earth, triangles-mountains (or forests); spirals represent