The Importance of Teaching Methods for Rubob

Аннотация

This article discusses the Rubob. Its unique features and rich history are highlighted, emphasizing the special importance of teaching Rubob. Attention is given to the methods of teaching Rubob, with a focus on the initial stage. Keywords: Rubob, mediator method, interactive, traditional. woods such as mulberry, with a firm leather covering. Introduction: Rubob – a stringed musical instrument The neck is long, and the tip is turned backward, with played with a plectrum. two pegs resembling the horns of a ram at the point The art of folk music performance holds an important where the neck begins. The neck of the Kashgar rubob place in the rich musical culture of the Uzbek people. In has between 19 and 23 strings, which were originally the treatise on music by the great scholar and made of gut, but are now made of metal, forming a philosopher of Central Asia, Abu Nasr Farabi, he wrote: chromatic scale. The 5 strings of the Kashgar rubob are “The musical instruments that produce sounds close to usually tuned in the intervals of a fourth and a fifth. Its the human voice are the violin, rubob, ney (flute), and range is close to 3 octaves. The sound is resonant. The surnay, and these instruments are noted for their ease of mastering the instrument and the emergence similarity to the human voice.” According to Farabi, of skilled musicians, such as M. Mirzayev, contributed “Music is a rare art and a force that leads to goodness”. to the popularization of this instrument among both [1.P.7] Furthermore, stringed instruments are also amateur and professional musicians in Uzbekistan and associated with singing, forming the initial music of the Tajikistan from the 1940s onwards. The modernized song and the instrumental parts in between. Farabi's version of the Kashgar rubob, called rubob-prima, is definitions have been preserved and developed to this similar in its capabilities to the Russian domra, with 4 day. metal strings tuned in a fifth interval. It is used in In the treatises of the Bukhara scholars Najmiddin orchestras and by solo singers. Among Uzbek Kavkabiy and Darvish Ali Changiy, who lived and composers, M. Mirzayev, musicians such as A. worked in the 16th-17th centuries, there is valuable Boboxonov and N. Qulabdullayev, and composers like information about the perfect list of stringed I. Khamsroyev, M. Bafoyev, and others have created instruments, their origins, and musicians. Darvish Ali works for the Kashgar rubob in various genres. In the Changiy himself played the rebab, and during that time, old rubobs, the strings were made of gut, but in modern the rubob was commonly referred to as the rebab. The rubobs, the strings are made of metal. The Kashgar Rubob is a stringed musical instrument played with a rubob has five strings, which are tuned in intervals of a plectrum. It is widespread among the Uzbek, Tajik, fourth and a fifth. The first two lower pairs of strings Uighur, Afghan, and other Eastern peoples. In the are tuned to produce the note "la" when played open, Middle Ages, it was widely spread across the East, Iran, the second pair is tuned to the note "mi," and the third Afghanistan, and the peoples of Central Asia. According string is tuned to either "si" or "la." Its range extends to some scholars, the modern violin evolved from the from the "si" or "la" note in the small octave up to the ancient two-stringed bowed rubob. Currently, there "la" note in the third octave. Among Uzbek composers, are mainly three types of rubob: Kashgar, Pamir, and Muhammadjon Mirzaev, musicians such as Ari Afghan rubobs. The length of the Kashgar rubob is 80- Boboxonov and N. Qulabdullayev, and composers like 100 cm, and its scoop-like body is carved from tough Ibrohim Hamraev, Mustafo Bafoev, and others have International Journal of Pedagogics 47 https://theusajournals.com/index.php/ijp International Journal of Pedagogics (ISSN: 2771-2281) created works in various genres for the Kashgar rubob. methods, involving students in hands-on activities, The modernized version of the Kashgar rubob, called such as laboratory work or creative projects, is rubob-prima, with its capabilities, is similar to the considered an effective approach. In the differential Russian domra. It has four metal strings tuned in approach, individual methods tailored to the specific intervals of a fifth and is used in orchestras and as a solo needs of each student are applied. These methods are instrument. The rubob-prima, created by the master based on the student's abilities, with different craftsman S.E. Didenko (1911-1988), is a stringed approaches for each. Self-learning provides students instrument that produces higher-pitched sounds, has a with opportunities to learn independently, such as wide range of notes, and offers broad performance through project work or research assignments, which possibilities. It is played with a plectrum and is classified are then monitored. Shodiyor Tashkentov, in his among the instruments played with a plectr