From dream to reality, director Aida Abdullaeva

Аннотация

This article is dedicated to the study of the professional activity of the first symphony conductor from Karakalpakstan, Aida Abdullaeva, whose creative activity is closely linked to the development of musical culture in Uzbekistan. Her achievements in conducting, particularly the leadership of the symphony orchestra, as well as her active role in the cultural life of the region, are considered. This article will tell you about the profession of a conductor, his mastery. Keywords: Music, conductor, opera, ballet, composer, concert, activity, orchestra, profession. action must be taken into account. The profession of Introduction: Like all musical professions, "symphony conductor is relatively young. Previously, the role of conductor" is also one of the most complex and orchestra leader was performed by the composer responsible professions. The musical instrument for the himself, a violinist, or a musician who played on a conductor is an orchestra or choir, namely a large claves. The founders of conducting as an art form were collective. In other words, an orchestra is an instrument Beethoven, Wagner, and Mendelson. that obeys the conductor, as the conductor's every possible, and consequently to ensure its high The professional performance, it is necessary, first of all, profession that the conductor himself possesses strong knowledge of conductor and talent. It is these qualities that make a conductor a is also a genius. Renowned conductors on a global scale include: heavy work. Carlo Maria Juliani (Italy), Sir Thomas Bichem (England), Every Arturo Toscanini (Italy), Wilhelm Fürthwenger rehearsal, (Germany), Leonard Bernstein (America), E.V. especially Moravinskiy, N. Golovanov, P. Kogan, E. Svetlanov, A. the Gauk, G. Rodzhennestsky, M. Pletnyov, V. Spivakov, V. conductor's Fedoshev, Yu. Bashmet, Yu. Temirkanov, and others. concert, requires Among such conductors were the only and first female enormous conductors in the post-Soviet countries - Veronika physical and Dudarova, in Uzbekistan - Dilbar Abdurahmonova, and mental in Karakalpakstan - Aida Abdullaeva. The conductor, as effort. In an architect of this language, manages not only order to musicians, but also emotions, creating a space for deep manage a large collective, to bring it up in every way perception. Aida Abdullaeva embodies this philosophy American Journal Of Social Sciences And Humanity Research 16 https://theusajournals.com/index.php/ajsshr American Journal Of Social Sciences And Humanity Research (ISSN: 2771-2141) in her art, combining the richness of world classics with From 1997 to 1981, she studied at the piano the unique culture of her people. During her long department of the J. Shamuratov music school. After career, Aida Abdullaeva conducted a number of operas finishing his studies, in 1985 he entered the Tashkent and ballets. State Conservatory named after M. Ashrafi to the faculty of choral conducting, to the class of associate S.Yudakov's "Maysara's Work," A.Ikromov's "Temur the professor N. Kaziyev. Its teachers were recognized Great," J.Verdi's "Aida," "Traviata," "Bal - Mascarad," masters of conducting art, as well as composers who "Rigoletta," J.Puchcini's "Madame Butterfly," formed a multifaceted approach to performance and "Bogema," "Chio Chio-San," Leonkavallo's "Payats," conducting in it. A.Motsart's "Figaro's Wedding," P.Chaykovsky's "Iolanta," S.Rachmaninov's ".[1.с.89-90] In 1990, after graduating from the conservatory, Aida worked as a music college teacher and simultaneously worked as a choreographer at the Berdakh Karakalpak State Theater. On the recommendation of the main conductor of the theater Kurbanbay Zarettinov, he began working in the symphony orchestra. In the autumn of 1993, Aida Abdullaeva performed as a conductor of a symphony orchestra with G. Demesinov's "A Concerto for Piano with Orchestra." [2.23]. Aida Abdullaeva was born in 1962 in the city of Nukus, the Republic of Karakalpakstan, to an intellectual family. Her father, Honored Worker of Karakalpakstan, Kenesbay Abdullayev, was a renowned musician (first bassoonist), conductor of a folk orchestra, and melodist-composer. Their house often played music, there were singers, artists, composers such as S.Palvanov, B.Nadirov, G.Syrymbetova, T.Doshumova, D.Kaypov and others. They studied and then discussed new songs or melodies written by K. Abdullaev. [2.с.55] Improving his performing skills, working in the theater, he often participates in concert programs as an Listening to these songs in her youth, Aida developed orchestra conductor and choreographer. However, an interest in musical art. She began studying music feeling a lack of knowledge as a conductor-symphonist, from an early age, and in 1970 she entered the Glier Aida, thirsting to know all the basics of musical art, in School of Music for piano. "My interest in conducting 1995 entered the Tashkent State Conservatory to the began during my studies at the school. I was very department of opera-symp