INVERSION IN A LITERARY TEXT (IN THE CASE OF BOTU POETRY)

Аннотация

INTRODUCTION meaning. In poetics, any speech unit becomes a In the linguapoetic analysis of artistic text, the poetic figure,” writes Russian linguist Y.V. Kazarin. question of syntactic figures and their The figurativeness of artistic speech is not classification is one of the current problems. All measured only by the ability to choose the studies on this topic relate to syntactic figures in necessary words, but also depends on the purpose, one form or another. Syntactic figures are a very meaning and intonation of the same word in important means of ensuring the figurativeness of syntactic constructions. speech and creating effective forms of expression. Such means of expressing emotional The language of Botu’s poetry is in accordance with expressiveness and intonation integrity, the requirements of modernizing the Uzbek increasing the effectiveness of speech, are studied literary language and showing the possibilities of under the name of “poetic figures”. Their task is not the artistic language put forward by modern limited to making the speech impressive or intellectuals at the beginning of the 20th century. attractive. Poetic figures allow the reader to Inversion is one of the main syntactic figures of understand the poem quickly and easily. Poetic poetic importance in the literary text. This figures are tools that have become somewhat phenomenon is manifested by a violation of the standardized in poetic speech and have become usual order of sentence fragments, a deviation characteristic in terms of form, style and content. from grammatical norms in the arrangement of They come in the form of separate pictorial sentence structure. There are several definitions of combinations aimed at enhancing expressiveness inversion in linguistics, and in this regard, O.S. and imagery, unlike displacements. T. Akhmanova’s definition covers the features of this Abdupattoyev, who studied this issue in his phenomenon to some extent: “Inversion is a dissertation, puts forward the following opinion in violation of the arrangement of the parts that make his dissertation “Poetic Syntax of the Uzbek up a sentence, which is used by the author to Language”: “Linguistic analysis of poetic speech attract the reader’s attention is the rearrangement requires the researcher to approach it with a sense of varnishes. Inversion is a psychological and of every meaningful subtlety and interpretation of stylistic method used to influence the reader”. https://www.theamericanjournals.com/index.php/tajssei 132 THE USA JOURNALS THE AMERICAN JOURNAL OF SOCIAL SCIENCE AND EDUCATION INNOVATIONS (ISSN- 2689-100X) VOLUME 06 ISSUE07 strong emphasis on the clauses that come after them. At the same time, this provided a strong A. Mamajonov and U. Mahmudov also draw expression of the poetic text in terms of intonation. attention to the unusual ordering of the It should be emphasized that the inversion in components of the inversion: “The purpose of such Botu's poetry did not arise due to high artistic changes is to highlight the main idea.” requirements and the need for artistic expression, Linguist M. Abdupattoyev writes that inversion as but because of the need to accurately reflect the a syntactic figure performs the following tasks in a thought and intensity corresponding to the poetic text: “It emphasizes the meaning of the thinking of that time. In this passage, the internal inverted fragment; exaggerates the thought; rebellion against captivity is written on the basis of increases expressiveness; enhances imagery; gives rising and falling intonation in the form of stylistic color; creates imagery; emotional- gradation. If it was given on the basis of the correct affectiveness is increased.” syntactical order like “Men olganman bu Botu was able to effectively use the possibilities of g‘ururimni bu sururimni shonli vulqondan tengsiz syntactic methods to create expressive color in his isyondan eski dunyo qaqshagan ondan”, “I got this poems. By means of it, he provided variety in the pride from the glorious volcano from the language of the artistic work, increased the incomparable rebellion from the old world, we artistry, impressiveness, and the full reach of his would not have seen the intensity, rebellion, purpose to the reader. In this regard, the emphasis in the spirit of Botu.” And, in general, phenomenon of inversion is of particular there would be no need to write a poem. importance: There is a four-line poem by the poet to “Navoi”. Chunki men The poem begins with the line “Have you seen a poet like you often?” The inversion of this line itself Olganman expresses how high Navoi’s genius is and the poet’s Bu g‘ururimni attitude towards him. The part of the sentence is Bu sururimni expressed by a rhetorical question, and the meaning of indivisibility is strongly expressed Shonli vulqondan through the participle form of the verb. If the poem Tengsiz isyondan was arranged in the style of “Sendek shoirni asring Eski dunyo qaqshagan ondan. ko