Reflection Of Radif in Translation Sapaeva Feruza Davlatovna

Аннотация

This article focuses on the study of genre problems of poetic translation, in particular, on the reflection of radif in translation. It is not surprising that the content of this problem on the example of Makhtumkuli's poetry is embedded in the lines, although there is little poetic translation in practice, the use and recognition of these methods and techniques serves as a special foundation for translators. Keywords: Poem, radif, translator, translation, poetic repetition, verse and clause, meaning, form and content, word, radiff poem, translation without radif, text, poet, Makhtumkuli, the Turkmen language, the Uzbek language. following methods of radif translation in translation Introduction: It is well known that the radif, which is a practice: manifestation of poetic repetition, is entrusted with many tasks, large and small: it connects bytes and Copy the radif without translating. To do this, the word verses to create poetic integrity; serves to reinforce that has become a radif must also be present in the meaning; actively participates in the realization of the language of translation and express its meaning in the melody. “In many cases, Radif expresses the main idea original language - only then it can be interpreted of the poet, emphasizes and strengthens the idea as a “without translation”. In this regard, the using of result of its repetition. Before choosing a radif, the application of this method is somewhat limited. This poets paid attention to how well the word fit their method is useful in translation from close languages purpose. It also takes into account the beautiful sound and languages with a large lexical commonality. of the word and its weight” [1, 211]. Therefore, the role Express a word or phrase that has become a radif of radif in enhancing the impact and resonance of the through translation. This method is widely used in poem, in enhancing the meaning, is invaluable. “Often translation from all languages, especially non-related the main burden of thought in a byte falls on this poetic languages. element, and poets take the word for what they want Translating another word from the work through radif. to emphasize more in thought” [2, 133]. But it is not This is because a word or phrase used as a radif may always possible to reflect it in translation. As a result, not be the same for all bytes. In this case, another word its content is often absorbed into the layer of verses. (or words) that conforms to the general spirit of the When preserved, it is not always successful: either poem and serves to ensure its integrity is removed words that are incomprehensible to the reader or from the radif. words that are inappropriate for the original are used. This can obscure the content of the poem, lowering its Translating radif poem without radif. Because it is not resonance and destroying its impact. “Express a radif is always possible to reflect the radif in another language. a serious challenge for an interpreter, and sometimes In this case, the translators absorb the meaning an insurmountable mess. This is why some translators expressed by the radif into the work. do not reflect it. However, radif in poetry is not only a Translating a poem without radif into radif. Although formal ornament, but also carries a great meaning, few in the practice of poetic translation, the same serves to increase the impact of the work, the method is encountered. By itself, this contributes to resonance of the poem [3, 193]. the success of the translation. According to the research of translators such as To translate a part of the words that have become a N.Kamilov, S.Olimov, E.Ochilov on the reflection of radif, leaving a part of it. In this case, some of the words radif in the translation of poetic works, there are the American Journal Of Social Sciences And Humanity Research 183 https://theusajournals.com/index.php/ajsshr American Journal Of Social Sciences And Humanity Research (ISSN: 2771-2141) that make up the radif are copied exactly as they are Uzbek translation: understandable to the reader, and the Tilla taxt sari eshiklar, incomprehensible part is translated. Zamonlar o'tib bekilar, Leaving the radif, regardless of whether the translation Eshon, mullayu so‘filar is intelligible to the reader. Elat uchun ozor bo‘ldi (BN, 464). In the translation of Makhtumkuli’s poems can find all these methods of radif translation. In translation from In the sixth verse of the poem “Nodon falakdan” the close languages, a radif is often not a problem, because word “do‘ndi” – “do‘ndi” is a radif: the word or phrase that becomes a radif is also present Бизиң гөрен достлар авара дөнди, in the translated language. However, sometimes words Баш апаран əрлер бичəрə дөнди, specific to a particular language are radiated so that Йөргүр арап атлар, гөр, хара дөнди, translating them exactly into the target language makes the text incomprehensible. Spontaneously, due Гымматы айрылып, яман пелекден! (МСЭ, 2, 97) to the fact