THE ROLE OF FOLKLORE IN NARRATIVE ART

Аннотация

This article discusses the role and importance of folklore in the stories of Shukur Kholmirzaev. Keywords:artistic, character, creation, interpretations, manuscript components, language, simplicity, fluency, colorfulness, folklore. Folklore was quickly formed and developed in Uzbek literature as a result of studying the achievements of world literature. Peculiarities are noticeable in the use of folklore in written literature. As is known, a writer can use one folklorism in his various works to fulfill different tasks. Folklorisms can be used by writers in different periods of a certain century to ensure the ideological and artistic maturity of their works. Folklorism is born only when folklore material is mixed with the thinking of a certain creator and becomes an element in the composition of a work of art. Literary critic B. Sarimsakov, initially distinguishing folklorism into simple and complex folklorism, divides complex folklorism into three groups: synthesized, analytical, and stylized folklorism. When any creative person incorporates a plot specific to folklore into the plot of his work, and these two plots merge and become inseparable, a complex synthesized folklorism appears. Sh. Kholmirzaev's synthesis of folklorisms in his stories gave him a unique feature. In fact , the uniqueness of the writer is determined by his skill in creating characters. In addition, one of the greatest achievements of the storyteller is finding details that no one else has noticed and bringing them to the level of an image inthe work. The basis of the work is a person, his heart, his pains, his thoughts, and his experiences, free from all kinds of "isms", who are not in vogue at the time - heroes who fascinate us in every way. When the writer thinks about his interest in folklore traditions, outdated conventional techniques, he says that there must be a deep law in his desire to connect it with an interest in the past in general, in all cultural wealth. Shukur Kholmirzaev spent his whole life searching for the main issue of artistic creativity, which is an important condition for professional writing - character creation, and as a result of this research, he rose to the level of a master in character creation. He says that the writer seeks an instructive meaning for readers from the invisible relationships between people. The lesson is revealed directly through narratives. The well-known scholar O. Toshboev, remembering Shukur Kholmirzaev,writes inhis article“Iam not abad writer”: "Shukur aka was a very well-read writer who knew the history of the country well, hadakeen understanding of folkloreand customs."1 Our famous writer Nazar Eshankul, remembering Shukur Kholmirzaev, writes in his article"He was a person both inlifeand inliterature": 1InmemoryofSh.Kholmirzaev'scontemporaries.PublishinghousenamedafterG'.Ghulom,2010,p.230 page1064 INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE ISSN:2692-5206,ImpactFactor:12,23 AmericanAcademicpublishers,volume05,issue05,2025 Journal: https://www.academicpublishers.org/journals/index.php/ijai Folk oral literature was Shukur's heart and soul. We talked about the epic poem "Alpomish" in his hut in Durman in 1999. At that time, I saw Shukur talking about the work with great enthusiasm, and I immediately felt that this writer draws strength for himself and his works precisely from these sources - the ancient forces of the people, and that is why his works will certainly become Uzbek masterpieces.2 The well-known scholar Kazakboy Yuldashev, in his article "Erkin Soz", also remembers Shukur Kholmirzaev and writes: "It was the end of 1999, apparently, because he knew the oral creativity of the people well, and felt the spirit of folklore works and their heroes even more than he knew them, so I gave the author the manuscript of my recently completed book "Alpomysh Talqinlari" to get Shukur's opinion. He read it in less than a month, writing his thoughts on each page of the manuscript. Most importantly, he liked the book." 3Shukur Kholmirzaev was able to show in his stories that folklore, with its important aspects, is necessary for a creative person in every way. Because folklore is valuable as an artistic treasure that uniquely expresses the reality of a certain era, the life and culture of the people, and secondly, in folk oral creativity, a creative heritage of great artistic value has been accumulated, which could not but interest and attract the writer. As folklore works were studied in depth and widely used, the relationship between folklore and written literature began to improve and bear fruit. As a result, a creative approach to folklore works was adopted and original poetic works began to be created, using this rich treasure as a large creative laboratory. Folk oral creativity has become a great creative school in the ideological andartisticgrowth of ourwriters, in creating a variety ofstyles. In his early works, the writer first enjoyed the poetic components of folk oral litera