DEVELOPMENT OF PORTRAGRAPHY IN UZBEK AND FRENCH LITERARY CRITICISM

Аннотация

Studying the literary work of writer and critic in close contact with his personality is one of the positive principles identified in literary criticism in recent years. Studying life, dream, character, interests and the artist’s youth is the key to revealing the secrets of craftsmanship and artistic aesthetics in his works. The genre of a literary portrait, which acts as an object of research, can fully reproduce this task, and its main goal is to recreate the image of the creator on the basis of his personal life, his own world, creativity and biography. The study of literary portraits of A. Morua in a comparatively- typological aspect with genre examples of M. Koshchanov plays an important role in revealing the peculiar principles of portraiture. In article, for the first time, are made attempts to study the Uzbek and French portraiture on the basis of a comparative typological aspect in Uzbek criticism.