ARTISTIC IMAGE DRAMATURGY OF OPERA

Аннотация

This article provides information about opera, as it is an exposition of the aesthetic principles ofcreativity ofcomposers inall periods oftheirwork. Keywords:Opera, music,chant, composition,art, verse Opera is a genre that combines elements ofoperetta, operetta, operetta, operetta, and operetta, covering a widerange of creativeaesthetic and technological issues. The opera has a synthetic genre and a strong Buddhist influence. The operetta genre combines vocals, classical music, poetry, theater and visual arts, lyrics and plastics. To do this, you need to create a theater with a technical effect that harmoniously fits into the environment. However, Mussoliniappears in theopera forthe first time. Lyrical poems and tragedies are addressed to the genre of Mussorgsky's opera. Among them are B. Asafyev, A. gozenpuz, M. Druskin, B. Yarusovsky, M. Sabinina, G. Kulishova, M. Cherkoshina, Ya. Pekker, D. Murodova, V. Plungyan. Mazur was one of the founders of Professor B. Zeidman's lecture course on opera drama. After completing the Mazkurov courseat the Uzbek StateConservatory. The theoretical foundations of opera drama were laid in Schubert's works on the systematization, systematization and generalization of information about music. When creating the opera, Sanatini paid special attention to the genre of opera and its interpretation, plotdramaturgy, libretto, dramaturgy ofplots,plots. In the genre of opera drama, the Bayadere appears in the image of an alchemist. In Buddy's opera, the character of mukamal combines individuality, subjectivity and objectivity, rationality and emotionality. The images created based on the motives of the work give an idea of its aesthetic essence. Images in opera are conveyed through facial expressions and compositional construction. At the same time, operetta dramaturgy includes solo, ensemble, choral, choreographic, and symphonic works. The operetta is dedicated to the life and work of Saadi, his work and creativity, as well as his work. Judd comes to the conclusion that he is none other than Judd, and that he is noneotherthan Judd, and that heis noneother than Judd. The opera drama of ifod tells us that he is wise and wise. Unlike Mussorgsky's dramaturgy, opera dramaturgy is dominated by lyrical content. This period includes the sequence “exposition”, “denouement”, “denouement”, “avj”, “Esim", which describe events taking place in the country and the world. These conclusions are a consequence of the fact that Musavatist groups oppose the forced assimilation of Muslims. Opera music, performed with page861 INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE ISSN:2692-5206,ImpactFactor:12,23 AmericanAcademicpublishers,volume05,issue05,2025 Journal: https://www.academicpublishers.org/journals/index.php/ijai mugham accompaniment, accompanied by wind instruments and an orchestra, is an independent genre ofopera. Opera performances are staged in the rank ofbarangays, in therank of barangays, in the rank of barangays, in the rank of barangays, in the rank of barangays, in the rank of barangays, in the rank of barangays, in the rank of barangays, in the rank of barangays. In it, nafa addresses Allah with a call to faith in all things, as well as to Allah with a call to faith in Allah and His Messengers, as well as to Allah with a call to faith in Allah and His Messengers. Unlike literary drama, the leading role in Mussorgsky's opera belongs to the work ofA. S. Pushkin. Thedrama ofthe opera begins with thescript, followed bythe libretto. To create the libretto, Thayer used a literary and dramatic aspect, in which dramaticmotifs are directly or indirectly touched uponinone oftheepisodes. The libretto of the opera differs from the literary drama in that the content of the opera is rich andvaried. In the course of the historical development of opera drama, genres such as recitative, Aria, arioso, string ensembles, choirs, ballet ensembles, and symphonic works have emerged. Unlike opera dramaturgy, not a single fragment has been preserved in the opera. However, in Italian opera of the XVIII century, vocals as a dramatic function and structure were defined and limited, which, in turn, contributed to their more or less free performance. The boundary between recitative and Lavoisier's vocals shifts dramatically, and this leads to the fact that rhythmic transitions that occur when recitative and vocals mix predominate in the rhythmic structure and rhythmic character of the recitative. Apparently, thiswas dueto thefact thatthe lavawas acontinuous layer oflava. Historically, opera dramaturgy in the genre of symphonic revival is based on some techniques of opera music. One of the most important moments of the symphonization of the opera genre is that in this genre, as in all other works of Mozart, the features of Bosch- Bosch develop. In this case, itis called aleitmotif, nota leitmotif. In fact, this is chieftain R.The German philosopher ofthe 19th century, G. Wagner, believed that an opera is a work wri