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РецензированоRU2025

ОПЕРА ДЖОАЧИНО РОССИНИ

UNIVERSAL XALQARO ILMIY · Universal International Scientific · Isaqboyeva Rayhona

Универсал международный научный журнал · 2025

Аннотация

This article is devoted to the operatic work of Gioacchino Rossi, a prominent figure in the 19th century operatic art. The article extensively covers his life, musical style, important works in the genres of opera buffa and opera seria, as well as his contribution to Italian and world opera. Rossi's famous operas such as "The Barber of Seville", "Tancredi", "William Tell" are analyzed, and their musical characteristics and specific aspects of their librettos are considered. The peak of his creative activity and the reasons for his abandonment of opera are also discussed. The article also pays attention to the assessment of Rossini's work from a modern perspective. Keywords: Gioacchino Rossi, opera, opera buffa, opera seria, The Barber of Seville, William Tell, Tancredi, belcanto, musical style, libretto, comic opera, serious opera, Italian opera, romantic opera, musical innovation, melody, orchestration, dramatic expression. Language: Uzbek Citation: Isaqboyeva, R. (2025). GIOACINO ROSSINI’S OPERA. Universal International Scientific Journal, 2(5), 66–69. Retrieved from https://universaljurnal.uz/index.php/jurnal/article/view/1835 Copyright © 2025 by author(s) and Scientific Research Publishing Inc. This work is licensed under the Creative Commons Attribution International License (CC BY 4.0). http://creativecommons.org/licenses/by/4.0/ Kirish melodiyalar, ritmik yangikilar, dramtik ifoda Joakino Rossini (Gioachino Rossini, uslublari va bel canto texnikasining 1792-1868) - XIX asrning eng muhim opera mukammal ijrosi bilan ajralib tur ularning bastakorlaridan biri sifatida tan olingan italyan musiqiy musiqiy va adabiy jihatidan musiqashunosi, uning ijodi opera san`atia boyitilgan liberettolari bilan tomoshabinlarni muhim burulish yasadi. Rossini nafaqat italiya hayratga soladi. operasi an`analarini rivojlantirib, yangi Rossini davida o`z faoliyatining qisqa, ammo bosqichga olib chiqdi, balki jaxon musiqiy samarali davrida -taxminan 1810-1829 yillar madaniyatida chuqur iz qoldirdi. Uning opera oralig`ida- 34 ta opera yaratdi, bu uning aql buffa (komik opera) va opera seria (jiddiy bovar qilmaydigon ijodiy salohiyatini opera) janrlaridagi asarlari musiqiy ijodning ko`rsatadi. eng muvaffaqiyatli namunaleri sifatida e`tirof Asosiy qism etiladi. Rossining musiqasi o`ziga xos yorqin 67 Universal International Scientific Journal 2025, 2(5) Joakino Rossini 1792- yil 29- fevralda vokal mahoratini namoyish etish mahoratini Italiyaning Pesaro shaxrida musiqachi oilasida berdi. tug`ildi. Uning otasi Jozeppe Rossini shaxar Opera seria: orkestrida trubachi, onasi Anna Guidarini esa Rossini nafaqat komik operalarda, balki opera xonandasi edi. Yosh Joakino musiqiy opera seria janrida ham muhim asarlar yaratdi. muhitda ulg`aydi va 12 yoshida ‘’Tankred’’ ( 1813) uning ilk muvaffaqiyatli kompozitsiyaga kirishdi. Boloniyadagi jiddiy operasi bo`lib, undagi “Di tanti palpiti” musiqa makabida tahsil olib, u nemis klassik ariyasi Venetsiyada gandolchilar orasida musiqasi, xususan, Haydn va Motsartning mashhur bo`lldi. “Otello” (1816) Shekspirning asarlaridan ilhom oldi. 1810- yilda, 18 shu nomli pyesasiga asoslangan bo`lib, yoshida, u o`zining ilk operasi – ‘’La cambiale dramatik ifoda va murakkab musiqiy di matrimonio’’ ni taqdim etdi , bu uning tuzilishga ega. “Semiramide” (1823) esa professional faoliyatidagi muhim qadam uning opera seria sohasidagi eng muhim bo`ldi. asarlaridan biri bo`lib, romantik opera Opera buffa: Komik operalarning uslubiga o`tishni aks ettirdi. cho`qqisi R o s s i n i 1 8 2 9 - y i l d a , 3 7 y o s h i d a Rossini opera buffa janrida misli ko`rilmagan “Vilgelm Tell” operasi premyerasidan keyin yutuqlarga erishdi. Uning ‘’Sevilya opera yozishni to`xtatdi. Bunga turli sabablar sartaroshi’’ ( II barbiere di Sviglia, 1816) mavjud, sog`lig`ining yomonlashishi, operasi ushbu janrning eng muvaffaqiyatli moliyaviy mustaqillik, yangi avlod namunasi sifatida tan olinadi. Bu opera Pyer bastakorlarining paydo bo`lishi yoki ijodiy Bomarshe pyesasiga asoslangan bo`lib uning charchoq sabab. U Parijda 40 yil davomida musiqasi yorqin, ritmik va kulgili personajlar faol opera ijodidan uzoqlashib, faqat diniy bilan to`ldirilgan. Operaning ‘’Largo al asarlar va kichik musiqiy pyesalar yozdi. factotum’’ ariyasi Figaroning o`ziga xos Xulosa: xarakterini ochib beradi va Rossinining Joakino Rossini XIX asr Italyan musiqiy komediya soxasidagi iste`dodini operasining eng yorqin yulduzlaridan biri namoyon etadi. ‘’Seviliya sartaroshi’’ ning sifatida o`z nomini musiqiy adabiyotga dastlabki premyerasi muvaffaqiyatsiz bo`lgan muhrladi. Uning opera buffa va opera seria bo`lsa-da, keyingi tamoshalar bastakorga katta janrlaridagi asarlari musiqiy innovatsiyalar, shuxrat keltiradi. yorqin melodiyalar va dramatik ifodalar bilan Bundan tashqari, ‘’L`italiana in Algeri’’ boyitilgan. “Seviliya sartaroshi” kabi komik (1813) va ‘’La Canerentola’’ (1817) kabi operalari hazil va yengillik bilan operalar ham Rossinining komik opera tamoshabinlrni

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«This article is devoted to the operatic work of Gioacchino Rossi, a prominent figure in the 19th century operatic art.»

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This article is devoted to the operatic work of Gioacchino Rossi, a prominent figure in the 19th century operatic art. Полный текст публикации CiteX не хранит — доступ к первоисточнику открывается по DOI согласно лицензии издателя и выбранному плану.

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Gioacchino Rossi, opera, opera buffa, opera seria, The Barber of Seville, William Tell, romantik opera, musiqiy uslub, liberetto, оркестровка, Joakino Rossi, Vilgelm Tell, серьезная опера, jiddiy opera, serious opera, Italian opera, мелодия, comic opera, melody, «Танкред», romantic opera, Tankred, бельканто, belcanto, «Севильский цирюльник», «Вильгельм Телль», orkestratsiya, либретто, Джоаккино Росси, musical style, orchestration, опера-буффа, dramatic expression, musical innovation, опера-сериа, Tancredi, музыкальный стиль, italiya operasi, музыкальное новаторство, романтическая опера, libretto, комическая опера, опера, Seviliya sartaroshi, komik opera, musiqiy innovatsiya, melodiya, итальянская опера, драматическая выразительность, dramatik ifoda
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