YOR-YOR, KELIN SALOM AND ALLA ART IN KHOREZM REGION

Аннотация

This article covers the yor-yor songs that make up the composition of Khorezm songs and are performed at wedding ceremonies, the specific aspects of the simple, folk and live performance of kelin salom, the linguistic features of Khorezm lullaby, the simplicity of the word andits functions. Keywords: folk oral art, wedding ceremonies, live performance, yor-yor, kelin salom, marriage, dialect, linguisticfeatures oflullaby. From the very beginning of its creation, folk oral literature became the unwritten history of the people. The first examples of literary works, called "oral literature", "folk oral literature", "oral literature", "folk literature", performed an important task of educating the younger generation as a textbook on life. Later, when the culture of writing appeared, people from among the people who felt the talent to create works of verbal art, directly relying on folk oral literature, created their first works of individual - individual creativity.1 Khorezm folk songs, which are considered one of the examples of oral creativity, are distinguished from other genres by their unique characteristics, liveliness and genre features. Through folk songs, the culture of our people, their traditions, dialects, performing skills and the ancient roots of this people and region are clearly manifested. In particular, yor-yor performed at wedding ceremonies has its own unique aspect due to this feature. Yor-yor is considered to have its own performance methods and performance place. At the same time, different regions of our republic also have their own performance traditions. The yor-yor songs of each region reflect the spirit of the people, the expressiveness of their words and the differences in dialects from each other. Khorezm yor-yor also has its own long history. Thesecustoms, which became atradition by1975, have nowreached thepublic in a widevariety of ways through various performances byourelderly grandmothers. Ko‘shagana teyinda uchgina qizyor-yor, Indi getib boroson baxtli bo‘lg‘in yor-yor.2 This "Yor-yor" widely uses dialects that differ in various aspects from the literary language. This song is in the Oghuz dialect, which is considered the main language of the Khorezm people. The Oghuz dialect is mainly used in the Urgench, Khiva, Shovot, Bogat, Qoshkopir, and Yangiarik districts of Khorezm. In addition, the Kipchak dialect is also active in the territory of Khorezm. In particular, this dialect has become established among the residents of the Yangibazar and 1OmonullaMadayev.Uzbekfolkoralart.-Tashkent"Mumtozso'z",2010.-23p. 2ThispoemwasrecordedfromthemouthofShukurjon,a63-year-oldwomanbornin1962,livingintheShovot district https://ijmri.de/index.php/jmsi volume 4,issue3,2025 569 Gurlan districts and is widely used in communication. By the present time, these types of Yor- yor havealso taken onaspecial character. Forexample: Avval boshlob Xudoni yod atali yor-yor, Payg‘ambarlar ruhini shod atali yor-yor. Payg‘ambarning qiziniAli olg‘onyor-yor, Qizolibqiz barmakdin ondin qolg‘onyor-yor.3 This “Yor-yor” is still widely used in the Khorezm region, especially in the Shovot district. In Yor-yor, a person’s inner feelings, good wishes and desires for the girl, and emotions are expressed in a unique way. Basically, the main goal of Yor-yor songs is to reflect spiritual impressionsabout life events. Also, bride greetings have their own performing tradition and place in wedding ceremonies. Bride greetings are found in various forms in Turkic and other peoples. The morning after the bride’s arrival, it is held out of respect for the groom’s parents, relatives, and loved ones. The bride greeting is held by the neighborhood’s host or bride greeter, who takes the bride out into the courtyard with a veil drawn and addresses those who come to the bride with wise words, good intentions, and wishes. The bride turns to the person to whom the speech is addressed and bows to him. Each region and people have their own customs and traditions. Accordingly, the styleof performance isalso unique. For example,in theKhorezm region, it isas follows: Ahli mo‘minlarga o‘gitlar bergan, Qur’oni Karimdan saboqlar bergan, u Rasululloh, ikki olam sarvari payg‘ambarimiz Muhammad Mustafo sollollhu alayhi vasallam ruhi poklariga ta’zim qilasizjupdan-jupdan kelinchak. Shovqin suronga to‘lgan, hamma xizmatda bo‘lgan, ham ho‘kiz, ham qo‘chqor so‘ydirgan tabarruk ostonayizga, qutlug‘qadam koshonayizga ta’zimlarni qilasizjupdan-jupdan kelinchak. Thebride's greeting begins likethis, and thedeceased are remembered: Elbaxtin ko‘zlagan ko‘zlariqayda, Aql-u donoso‘zlarso‘zlari qayda, Topgani to‘ybo‘ldi afsus, o‘zlari qayda, Marhum(a)……momolaringizga(bobolaringizga) egilib-egilib qiling ta’zimingizni jupdan- jupdan kelinchak. After the names of the deceased are mentioned, the bride's greeting continues with the mention of the father-in-law, then the mother-in-law. The bride's greeting begins with the groom's parents and extends to the youngest c