PSYCHOLOGICAL AND TECHNICAL CHALLENGES OF AN ACTOR WORKING WITH THE CAMERA

Аннотация

This article examines the history of the development of Uzbek cinema and film acting, its unique features, and its alignment with the times. It discusses the art of film acting and its mastery, emphasizing the importance of an actor’s ability to express emotions and movements in front of the camera, as well as the significance of the “authority of the camera.” The article also specifically addresses K.S. Stanislavski’s acting method and its influence oncinema. Additionally, the article reflects on the actor’s preparation for a role, the importance of both internal and external preparation, and the necessity of possessing specific details and specialized knowledge related to the profession. The differences between theater and cinema, the process of working on a role, and the correctness of its execution are also explored in depth. Keywords:Uzbek cinema, film acting, acting mastery, acting school, camera, emotions, movement, camera authority, K.S. Stanislavski, actor preparation, internal and external preparation, specialized knowledge, differences between theater and cinema, role, role performance Since the emergence of cinematography, the art of film acting has undergone various stages ofevolution. Naturally, it must be acknowledged that Uzbek cinema has experienced different political, economic, and moral crises throughout its history. Nevertheless, the unique identity andtraditional elements ofnational cinemahave been preserved and continueto develop. The behind-the-scenes processes, as well as the development of film acting and directing schools, have contributed to the formation and timely evolution of national cinema’s distinctivecharacter. When speaking about the history and development of national cinema, it is impossible not to mention the Uzbek national acting and directing schools. Every form of art draws nourishmentfrom thetraditions ofitsmastery school-cinemais noexception. The foundation of this national mastery school is built on strong knowledge and tradition. This, in turn, supports the formation, growth, and unique identity of the film art. The incomparable talents who have contributed and continue to contribute to the growth of national cinema havematured withinthetraditions of thisschool. In every era and at every stage, like cinema itself, the profession of film acting has taken on various forms. Many great figures of Uzbek cinema have, through their creative work, laid the groundwork for the skills and techniques of a film acting school. Today, this profession holds a unique place in Uzbek national cinema through its charm, values, traditions,and performance styles. In theater, the stage acts as a sacred space for the actor. In cinema, the camera plays a crucial role. Although the camera is an inanimate object, every artist senses that viewers page1774 INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE ISSN:2692-5206,ImpactFactor:12,23 AmericanAcademicpublishers,volume05,issue04,2025 Journal: https://www.academicpublishers.org/journals/index.php/ijai experience the film precisely through the lens of the camera. This awareness places a great responsibility on the actor. Hence, the term “authority of the camera” is used among creative professionals. For a young artist just entering the world of cinema, the camera’s authority can be a significant obstacle. No matter how talented or skilled an actor may be, nervousness in front ofthecamerais natural. More than a century ago, K.S. Stanislavski formulated principles of acting technique that are still relevant not only for theater actors but also for those in cinema. Actors trained in thismethod can perform in both media. Stanislavski’s acting techniques serve equally well on stage and on set. However, the film medium imposes additional demands, which Stanislavski had alluded to in a meaningful way: “Everything appears onthescreen-even thetiniestdetails are recorded.” This observation bythe great master of the theater and the founder of the acting method school isthought-provoking. The camera's gaze represents the eyes of millions of spectators. Everything in front of thelens-even thesmallest details-is visibleto the viewer. This imposes great responsibility on the actor, who must possess all tools of the craft while also maintaining strict control over theirappearance, movements, and gestures. One of the most challenging tasks for a film actor is expressing the appropriate emotion and physical action in front of the camera. Regardless of the external environment, the actor must immerse themselves in the world of the film, activating their emotional memory and performingactions based onthe story's events. In theater, the elevated stage and live audience create a shared experience between actors and spectators. Theensemble ofactors and the audience together support theemotional and artistic expression. The audience often comes prepared, knowing the title, author, and genre, and engages with the performance. The goal of theater actors is to touch