American Journal Of Social Sciences And Humanity ResearchBakirova Umida Bakhtiyor Kizi2021
Creative Portrait of Ismail Jalilov
PAGE NO. - · Creative Portrait of Ismail Jalilov · Farzalieva Sevinch Emirovna
American Journal Of Social Sciences And Humanity Research · 05 · 2025
Аннотация
This article analyzes the creative activity of the People's Artist of Uzbekistan, a well-known artist Ismail Jalilov, his contribution to the development of Uzbek national musical art. Also, the specific artistic and aesthetic principles of Jalilov's work, his assessment by his contemporaries and students, and his place in today's musical culture are analyzed. Keywords: Creative portrait, maqom art, musician, composer, pedagogical heritage, People's Artist of Uzbekistan, national music, artistic and aesthetic principles. Introduction: Ismail Jalilov was born on January 29, He toured the USA, France, Germany, Finland, Italy, 1948 in Tashkent into a working-class family. As a child, Turkey, Russia, Thailand. he studied Russian language and literature at a Soloist of the Uzbek Opera and Ballet Theater. Since boarding school with in-depth study. He loved books, 1998, he has been the artistic director of the National at the age of 16 he became interested in music, Symphony Orchestra of Uzbekistan. Since 1981, he has accidentally saw a film in which Mario Lanza sang. He worked at the Alisher Navoi State Conservatory of studied in the singing circle at the Kirov Club, began to Music. In 2003, he graduated from the master's degree sing, and soon became a soloist. program at the Uzbek State Conservatory and is After graduating from the 8th grade, Ismail went to currently teaching there as a professor of the work at a factory. At one of the evenings of “Joyful department of "Academic Singing and Opera Tashkent” as part of the competition of young Preparation". performers, he sang Muslim Magomayev’s song “The In 2002, he was appointed director of the Palace of Sun is Walking Along the Alley”. After the performance, Music, located in the Palace of Culture of the former Ismail was invited to the “Synthesis” ensemble, and Tashselmash production association. then to the “Yalla” ensemble, where he became a Four of Ismail Jalilov's students are laureates of the soloist. Nihol State Prize established by the President of In 1976, Ismail entered the vocal department of the Uzbekistan, three are soloists of the Bolshoi Theater. A. Moscow Conservatory (People’s Artist of the USSR, Navoi, Angelina Ahmedova - Atkins scholarship holder Professor Z. Sotkilava). At a reception at the Russian of the Mariinsky Theater, Barno Ismatullayeva, finalist State Academic Bolshoi Theater, Ismail performed the of the BBC Cardiff Singer of the World competition, aria Rudolf from Puccini’s “La Bohème”. In 1979-1981 soloist of the musical theater in 2016. Stanislavsky and he worked at the Bolshoi Theater of the USSR Nemirovich-Danchenko in Moscow. (Moscow). Leading tenor and People's Artist of Uzbekistan, Participated in the international vocal competition in Honorary Professor of the Italian Academy of Music Rio de Janeiro (Brazil), won 1st place and was awarded Cancordi-Roma, Honorary Professor of the State the Villa Lobos gold medal (1979). He was awarded the Conservatory of Uzbekistan, leader of the National title of laureate at the All-Union Vocal Competition. Symphony Orchestra, demanding teacher and opera Glinka in Tashkent in 1977 (2nd prize). enthusiast Ismail Jalilov has performed on many world American Journal Of Social Sciences And Humanity Research 105 https://theusajournals.com/index.php/ajsshr American Journal Of Social Sciences And Humanity Research (ISSN: 2771-2141) stages. Her voice shakes everything around, no matter The fact is that opera, like sports, requires constant and what language the work is performed in, no matter the intense training. When I first started singing opera, I age of the listener. But it all started by chance. was very thin and performed only lyrical parts. For comparison: if I didn’t have body weight, I would never If we dwell a little on the opera itself, you know that the have been able to play a role in the opera “Othello”. genre was originally positioned as an elite art form. Every day I start by doing the measure - it’s like training. Everyone was given the opportunity to perform high- As a result, the chest expands, a strong hunger appears pitched arias. Soloists differ in their voices. Baritone - a - we become so big. (laughs) As a rule, thin baritones - medium voice, bass - a low voice. Soprano - a high for example, Muslim Magamaev. Among the tenors, female voice, conditionally divided into lyrical and those who perform lyrical parts - lyric tenors - are thin. dramatic. A very high and mobile soprano voice type is Moreover, I know singers who broke two ribs during called a coloratura soprano. Mezzo-soprano - a the performance, so dramatic tenors wear a special medium-low voice, contralto - a very low voice, tenor - belt. Once, when I performed “Othello”, I also wore not a high male voice. Tenors are also lyrical and dramatic. one, but two belts. This is one of the secrets of vocal There is also a countertenor - a unique, very high voice technique. Especially when it comes to vocal lessons. I in whi
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«This article analyzes the creative activity of the People's Artist of Uzbekistan, a well-known artist Ismail Jalilov, his contribution to the development of Uzbek national musical art.»
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Демо-превьюThis article analyzes the creative activity of the People's Artist of Uzbekistan, a well-known artist Ismail Jalilov, his contribution to the development of Uzbek national musical art. Полный текст публикации CiteX не хранит — доступ к первоисточнику открывается по DOI согласно лицензии издателя и выбранному плану.
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- Тип
- Журнал
- Страна
- Узбекистан
- Ключевые слова
- Creative portrait, maqom art, musician, composer, pedagogical heritage, People's Artist of Uzbekistan
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