Научные статьиM.H.Sayidova, S.U.Pulatova2025
Bridges of Eternity: How the Lyrics of Abdulla Oripov And Boris Pasternak Intertwine Time, Landscapes, And Human Existence into A Universal Language of Poetry
PAGE NO. - · Bridges of Eternity: How · Oripov And Boris · Pasternak Intertwine · Human Existence into A · Universal Language of · SUBMITED February · Aziza Rustamovna Babajanova
Европейский международный журнал междисциплинарных исследований и менеджмента · 05 · 2025
Аннотация
This article explores the creative dialogue between two poets—Boris Pasternak and Abdulla Oripov—who belong to different cultural and historical traditions yet speak the universal language of poetry. It analyzes the key motifs in their lyrics: the philosophical interpretation of time, the role of nature as a metaphor for the inner world, historical memory, and the search for harmony in chaos. The comparison of Russian and Uzbek poetic traditions allows us to identify both the commonalities and unique aspects of their worldviews. The article highlights the significance of their works as a "bridge of eternity" connecting eras, cultures, and human existence. Keywords: Boris Pasternak, Abdulla Oripov, poetry, time, nature, historical memory, philosophy of being, culture. Introduction: Poetry as a Bridge Between Eras and Souls. Poetry is a bridge that connects hearts and eras. It has the power to transcend the boundaries of time and space, conveying eternal truths about human existence. Great poets, even when living in different times and countries, speak a common language of emotions, imagery, and philosophy. Abdulla Oripov is one of the most significant Uzbek European International Journal of Multidisciplinary Research 53 https://eipublication.com/index.php/eijmrms and Management Studies European International Journal of Multidisciplinary Research and Management Studies poets of the 20th and 21st centuries. Boris Pasternak is Nature as a Co-Author: Landscapes as Philosophical a classic of 20th-century Russian literature. These two Symbols. In Pasternak’s poetry, nature is not merely a poets, separated by geography and culture but united backdrop but an active participant in the dialogue by a deep understanding of the world and humanity, about life and death. His landscapes come to life, created lyrics that resonate in the universal language of transforming into philosophical symbols: snow, poetry. Though they belong to different traditions, their blizzards, and rain are not just settings but metaphors poetry is united by profound reflections on existence, of purification and renewal. For example, in “A Winter’s natural motifs, and historical memory. Their works can Night” (“It was snowing, snowing all over the earth...”), be seen as a bridge between times, landscapes, and the the snowstorm becomes a metaphor for cleansing, human inner world, forming a universal poetic erasing the boundaries between the personal and the language. universal. A Temporal Dialogue: Pasternak and Oripov Across The theme of time and overcoming its limits through art Eras.Boris Pasternak, one of the key poets of the Silver echoes throughout Pasternak’s poetry: Age, witnessed an era where historical cataclysms "In everything, I want to reach / The very essence..." intertwined with deep personal dramas. His works, Boris Pasternak sought to grasp the depth of existence imbued with a striving for harmony, are not merely and convey the moment of eternity through art. For reflections of external chaos but an attempt to find him, time was not only a sequence of historical events eternal truths within it. For example, in the novel but also an internal rhythm of life, intertwined with Doctor Zhivago, written in the 1950s and banned in the nature, love, and creativity. Soviet Union, Boris Pasternak explores the confrontation between the individual and history, Abdulla Oripov’s Poetry as a Bridge Between Eras. The showing how art and love become a salvation against poetry of Abdulla Oripov served as a bridge between the backdrop of wars and revolutions. This work, the Soviet era and Uzbekistan’s national revival. His awarded the Nobel Prize in 1958, led to persecution by lyrics, imbued with deep patriotism and philosophical the authorities, highlighting the tragic role of an artist reflections, depict the nation’s complex path to self- in a totalitarian era.Even during the years of Stalinist determination amid historical transformations. While repressions, when many of Pasternak's colleagues fell Boris Pasternak sought harmony in chaos through silent or perished, he continued to seek a language for universal themes, Abdulla Oripov emphasized the dialogue with eternity. His late poetry, such as in the connection with national roots, asserting that poem "Being famous is not beautiful...", serves as a preserving culture is an act of defying time. In the lines manifesto of inner freedom: “Burn, my soul, while you live, / Reveal to the people the truth of words”, one can hear not only a call to "The goal of creativity is self-giving, / Not fame, not spiritual devotion but also a declaration of the poet’s success." mission. Here, the “fire” of the soul symbolizes These lines are key to understanding his position: for unwavering dedication to the native land, while the him, art was not a tool for glory but a way to preserve “truth of words” alludes to the role of literature as a humanity in an inhumane time. keeper of historical memory. These motifs ar
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«This article explores the creative dialogue between two poets—Boris Pasternak and Abdulla Oripov—who belong to different cultural and historical traditions yet speak the universal language of poetry.»
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Демо-превьюThis article explores the creative dialogue between two poets—Boris Pasternak and Abdulla Oripov—who belong to different cultural and historical traditions yet speak the universal language of poetry. Полный текст публикации CiteX не хранит — доступ к первоисточнику открывается по DOI согласно лицензии издателя и выбранному плану.
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- Boris Pasternak, Abdulla Oripov, poetry
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