THE CONTRIBUTION OF CLASSICAL LITERATURE REPRESENTATIVES TO THE WORLD CIVILIZATION AND THEIR RICH CULTURAL AND SPIRITUAL HERITAGE

Аннотация

The article reflects on the contribution of Uzbek classical literature to world civilization, their rich cultural and spiritual heritage, interpretations of the works of Alisher Navoi on theUzbek theater scene. Keywords:"national classical literature", "performing arts", "performance"," pesa","interpretation and performance". Humanity was wounded, which sought not only to satisfy its material needs, but also ways to achieve spiritual perfection. Dreamed of a peaceful life, a prosperous and free Homeland, beautiful feelings full of loyalty, affection, love, woven legends, finished songs and epics. All this served as the main dramaturgical resource as early as the first manifestations of folk art. The ancient art of watching, which has reached the present day after several millennia, having withstood the shock of various sets that have occurred over several millennia with the change of societies, ideas, ideologies, whether falling and standing, or being insulted and gaining value, continues to walk the future millennia, until itsettles today's landscapes in theform ofmodern theaterinto its magical mirror. At the moment, it is also worth noting that the samples of our literature, which have reached the level of classicism, have appeared at the heart of the people's will, dreams and ideals, glorifying High ideas based on genuine human feelings, national and universal values. This state of human intelligence and the endowed divineability cause is manifested in the fact that the old literature, which once came into the world, was refined in the trials of times and times, and repeated and repeated interpretations were reached in New-new ways and stage appearances. Consequently, in a fast-paced time, when both economic and spiritual and technical progress is increasingly advancing, as the human mind, thought, worldview grows and changes, the theater game, style and methods will also continue to stand out and improve in new forms and content. This landscape is especially striking in the new, modern interpretations of old works that have not been falling from the repertoire for many years and are being played. Most of these are examples of World Classical literature, including our national classical literature. Attempts to enjoy our people through the art of theater from an invaluable treasure passed down from generation to generation as a unique cultural heritage for centuries, to revive and move emblems that have already become legends through the means of the stage, began at the beginning of the last century, when theUzbekprofessional theater was justforming and buildingup. The most effective of these studies and continuing to this day are the efforts of the great thinker grandfather Mir Alisher Navoi on the way to creating stage interpretations of his works. Without a doubt, the stories of Khazrat Navoi have attracted Bakhshis, short stories, goyandas, composers, singers and singers for centuries, as if they were oxanrabod. Where the people were crowded-markets, squares, sawmills, caravanserai, wedding-and- page945 INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE ISSN:2692-5206,ImpactFactor:12,23 AmericanAcademicpublishers,volume05,issue04,2025 Journal: https://www.academicpublishers.org/journals/index.php/ijai tea rooms-Navoi ghazals and epics were performed in various forms; sung, recited, Hatto was shown watching through stage elements. The masterpieces of creativity of our great- grandfather Navoi were promoted throughout the Great Gods of this zayl, the land Kurra. Consequently, understanding the Nawab, reading the Nawab, singing the Nawab and especially interpreting and promoting him through stage appearances is not a treasonous task. This requires a lot of courage, responsibility, knowledge and experience. Again, the main idea in the Navoi epics - praise for the creator, wisdom inherent in a perfect person, kindness, love, fidelity, loyalty, honesty, beauty, patriotism, heroism, justice, faith-faith, the high skill and glorification of such pure feelings as duty-instilled in any creator. Therefore, it is necessary that any talent who claims artistry intends to enjoy the creativity of Navoi, albeit once in his life. For theater makers, there is another important aspect of the Navoi epics that, if any, it will look like drama works according to the style and structure of writing. This feature is explained by the continuity of the course of events, the fact that the main event and conflict are built on the Zamiri of sharp ideological struggles, the character of heroes, the revival of their mental and physical appearance in contrast paints, the richness of inner experiences, symbolic gestures, miraculous adventures, especially dialogues and monologues. This is also the fact that the artists of the older generation to this day perform sayings and other Arias and monologues, similar to Farhad andKhisrav's specializationepisode, with great enthusiasm at various meetings and nights. Efforts to assimilate the herit