THE ISSUE OF HERITAGE IN THE CHARACTERS OF MODERN UZBEK CINEMA

Аннотация

This article examines the fact that in modern Uzbek cinema there is a certain consistency in creating the character of heroes and characters. It is analyzed that the characters on the screen have such characteristics and features that they embody the worldview, spiritual world and national consciousness typical oftheUzbekpeople, and haveanational character. Keywords:Cinematography, modern Uzbek cinema, film, character, national character, personage, issueofcontinuity, national consciousness, spiritual world, worldview. The development of modern technologies, the internet, and artificial intelligence is leading to a certain distance from cinema. Films that meet the interests of the viewer and at the same time are artistically perfect, the creation of a contemporary character is becoming an urgent issue throughout the world and remains one of the main factors that attract the viewer's attention and ensure the vitality of a work of art. In the process of the rapid penetration of innovative technologies into contemporary cinema, there is a striving to raise the artistic level of films, for this purpose, attention is paid to the depiction of characters with natural, convincing, and high moral qualities. Today, in the art of cinema of Uzbekistan, attention is paid to the interpretation of the image of the hero's character not as an ideal person, but as an ordinary person who is not free from shortcomings, and in the image of a contemporary, attention is paid to the image of a person who is lonely in his heart due to infidelity, heartlessness, and dishonesty, but is ready to spiritually fight against various vices. In this process, shortcomings are observed in the interpretation of characters in national films in terms of promoting universal ideas, the ability to think and act globally, and in this regard, attracting foreign specialists and viewers. "If we want to glorify the name of Uzbekistan throughout the world, we must do this first of all with the help of cinema. It is through the art of cinema that we can conquer world screens and thereby gain theattention of theworld"1.In this regard, the studyand analysis of problems arising in the creation of characters in historical and contemporary films filmed in modern Uzbek cinema, andthedemonstration oftheir scientifically based solutionsare of current importance. As an example, if we take the film "The Great Amir Temur" (screenwriters A.Oripov, B.Ahmedov, B.Sodikov, directors I.Ergashev, B.Sodikov, 1998), which was one of the first attempts to create the image of historical figures, the work reflects the period of Amir Temur's youth from 18 to 34 years old. During this period, a person begins to understand the ups and downs of life more deeply, the concept of glorifying true feelings and values is formed, they learn how to interact with people around them, strive to find their place in society, and lay the foundation for their future. The film also depicts the main events of Timur's gradual rise to the big stage, gaining love and respect among the people with his mature mind and intelligence, his 1MirziyoyevSh.M.ThePresidentheldameetingonthedevelopmentofnationalcinemaartandthefilmindustry //Xalqso'zi.-Tashkent:2017,December30. page651 INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE ISSN:2692-5206,ImpactFactor:12,23 AmericanAcademicpublishers,volume05,issue04,2025 Journal: https://www.academicpublishers.org/journals/index.php/ijai relationships with his close people and enemies, and finally, the establishment of a powerful empire. In it, the process of our great ancestor's transformation from a young man, initially somewhat inexperienced, observing the diverse relationships of people and drawing conclusions for himself, into a just ruler, reflecting universal human ideas in his appearance and character, is illuminated with a philosophical and psychological approach. This process reflected Timur's ruthless attitude towards the enemies in the country, his iron will, and his humanistic views. This was especially evident in the relationship between Timur and Ilyas Khoja. The filmmakers tried to take a broader approach to the causes of the battle between Timurand Ilyas Khoja, which entered history as the"Battle of Mud." It is difficult to conclude that the image of this historical figure was fully embodied on the screen due to the fact that B. Mukhammadkarimov did not sufficiently reflect the stature, dignity, and determination characteristic of Amir Temur. This was due to the fact that the directors did not give the actor a specific task. In many shots, the impression arises that B. Mukhammadkarimov is instinctively performing his role. Therefore, it is necessary to continue creativeresearch ontheportrayal of theimage ofAmirTemur onscreen. Poetic cinema, in particular films based on folklore, occupies a special place in the modern cinema of Uzbekistan. Among them is a feature film based on the epic "Alpomish," which embodies the image of a hero, a high ideal of the Uz