SAID AHMAD'S CREATIVITY AND CREATIVE STYLE

Аннотация

Said Ahmad is a prose writer and playwright, known in Uzbek literature as a master of short prose and storytelling. His novels and humorous stories, written with great artistic skill, have made a significant contribution to the development of our national literature. For his unparalleled services, Said Ahmad was awarded the Order of Merit and the Order of Friendship, as well as the honorary titles of "Hero of Uzbekistan", "People's Writer of Uzbekistan", "Honored Artist of Uzbekistan". Keywords: "Er yurak” (1942), “Farg‘ona hikoyalari” (1948), “Muhabbat” (1949) “Cho‘l burguti”, “Cho‘l shamollari” and “Tunlar va cho‘llar”. Humor, comedy, novel. Said Ahmad was born in 1920 in Tashkent to a working class family. He started his career early. As a young journalist and artist, he was actively involved in the collectivization of agriculture and the eradication of illiteracy in the early 1930s. He worked as a reporter on large public buildings. In the early 1930s and late 1940s, he published essays and short stories in the "Red Uzbekistan" newspaper, "Mushtum" and "Sharq Yulduzi" magazines, and was active in radio. Since the late 1930s, Said Ahmad has been active in the genre of fiction, with his first collection of short stories, "Tortiq", published in 1940. The novel "Jimjitlik" exposes the evils of the recession. In the 1940s, his collections "Er Yurak" (1942), "Farg'ona Hikoyalari" (1948), and "Muhabbat" (1949) were published. In the early 50's and late 60's, Said Ahmad's work reached a higher artistic level. He wrote dozens of lyrical and humorous stories and played a significant role in the development of the story genre in Uzbek literature. During these years, a new theme in the work of Said Ahmad deserves special attention - it is a reflection of the life of the exploiters of the gray lands of Central Fergana. These stories, from collections such as “Cho‘l burguti”, “Cho‘l shamollari” and “Tunlar va cho‘llar”, are distinctive features of the "rural prose" in our multinational literature. Said Ahmad's wife is Saida Zunnunova. Comic works have a special place in the Uzbek classical art, where the statues of Said Ahmad and Saida Zunnunova were erected on June 10, 2013 in the National Park of Uzbekistan in Tashkent. 199 Scientific research results in pandemic conditions (COVID-19) Because literature as a reflection of human life is ridiculous of human life does not reflect the aspects, does not critically describe the defects in man not allowed. The works that have emerged as an expression of this situation are comic forms. Mankind came into being because of its shortcomings, defects, lives side by side. Even the noblest person likes others less. It is natural that there is something wrong with it. Man strives for perfection, but it is almost impossible to achieve it completely. That is why weeping for man, Laughter is as much a constant companion as pain is a constant companion. Efendi's anecdotes, askiyas, chandishs, lapars are centuries old of the Uzbek people that he has been enjoying laughter for a long time, funny in man and in life shows that he has a fine sense of proportion. Besides, Uzbek is so rare naturally, laughter arises in the very nature of the conversation can be Because most Uzbek words have at least two meaning. Apparently, the first sign of a comic book is its critical direction the second feature is that the image is presented in a funny way. It is worth noting that comics are available in all nations of the world however, attitudes to it vary from nation to nation, depending on their spiritual and moral dimensions. For example, the West paid great attention to comedy thousands of years ago. Therefore, comic literature has been developed in these countries since ancient times. Due to the predominance of seriousness in our spirituality, no special attention was paid to the development of comedy in the written literature. This is because Islamic morality does not approve of inappropriate laughter and ridicule. This did not allow comedy to flourish much in our fiction. But no matter what the religious or moral beliefs, as life forces man to be among people worthy of ridiculous situations, laughter and ridicule, naturally, artistic comedy has also emerged and developed to a certain extent. Said Ahmad, on the other hand, uses this method extensively to create a humorous image. It's about exaggeration, and laughter. His laughter in miniatures such as "Qo'li qichigan chol" and "Ishqida" is based on such exaggeration. Even the author himself admits that in ―"Sinovchi ichuvchi" the rhetoric is combined with boasting, but here it is used only to provoke laughter. Tired of his "prophecies", the old woman complains to the factory director. The writer describes the old man in the language of an old woman, and the old woman's funny words make the old man's identity and image clear. The novelty-obsessed old man impresses the reader with his restlessness. - - Ergash: I didn't break it. It's just a little