TRANSLATION OF EXAMPLES OF EASTERN LITERATURE INTO UZBEKISTAN: ISSUES OF STYLE, CONTENT AND AESTHETIC CONSISTENCY

Аннотация

This article presents analytical views on the issues of stylistic, substantive and aesthetic coherence in the process of translating works of Eastern literature into the Uzbek language, the translators' fidelity to the original, their approaches to preserving national-aesthetic values, as well as how the author's style is reflected in the Uzbek language. During the research, translation styles were studied based onsamples taken from theliterary heritage ofthe peoples of the East, such as Persian-Tajik, Arabic, and Indian. The possibilities of fully conveying the content in translated works and awakening the spirit of the original work in the reader by adapting aesthetic means of expression are discussed. The article presents scientifically based conclusions from thepoint ofviewof literary criticism and translation theory. Keywords: Aesthetic coherence, Uzbek language, translation theory, literary translation, literary heritage, translation skills. Introduction: Translation is a complex creative process that requires not only linguistic and linguistic skills, but also cultural thinking, aesthetic taste and literary observation. In particular, the process of literary translation, especially in the translation of works of Eastern literature into the Uzbeklanguage, not only the translator's linguistic knowledge, but also his role as a mediator in intercultural dialogue is of great importance. Eastern literature occupies a special place in the world's literary heritage with its deep content, unique artistic style and philosophical and aesthetic approach. The translation of literary works of Persian-Tajik, Arabic, Indian, Chinese and other Eastern peoples into the Uzbek language has served to bring these literary spaces closertogether and has strengthened cultural ties. The Uzbek translation tradition has developed a rich experience in adapting the rarest masterpieces of Eastern literature to the Uzbek language, placing them in a new literary context whilepreserving their stylistic features. In particular, when translating the works ofthinkers such as Navoi, Jomi, Hafiz, Sa'diy, Bedil, translators did not limit themselves to simply translating the text, but also sought to preserve the content and artistic and aesthetic elevation. In this process, various translation strategies were tested -literal translation, free translation, hybrid approaches. This article provides a comprehensive analysis of the main problems of stylistic, substantive and aesthetic coherence in the translation of samples of Eastern literature into the Uzbek language. In particular, scientific considerations are made about how the author's style is preserved in the translated works, how poetic forms are adapted to the Uzbek language, the degree of fidelity to the original spirit of the content, and how aesthetic images undergo changes in the translation process. The creative approach of the translator, his role in bridging cultural differences, and the practical aspects ofmodern translation theory in thisregard are also analyzed. The article can serve as a scientific basis for new research in the field of literary translation, based on the mutual relations between Eastern and Uzbek literature, translation traditions, and current requirements. page116 INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE ISSN:2692-5206,ImpactFactor:12,23 AmericanAcademicpublishers,volume05,issue04,2025 Journal: https://www.academicpublishers.org/journals/index.php/ijai Main part: Eastern literature is distinguished by its unique stylistic richness and artistic forms. In particular, genres such as ghazal, rubai, masnavi are widely developed in Persian-Tajik literature, and these forms have many common aspects with Uzbek literature. However, it is not these stylistic similarities, but rather subtle differences that pose a problem in the translation process. For example, in order to translate philosophical phrases and proverbs in Saadi Shirozi's "Guliston" into Uzbek correctly, in depth in content, and in accordance with style, not only linguisticknowledge isnecessary, butalso adeep understanding of thiscultural layer. Khurshid Davron (writer and translation expert) states that “Literary translation is not only the art of transferring a text from one language to another, but also the spirit, era, worldview, and meaning behind thewords.” He emphasizes that a simple linguistic approach is not enough when translating deeply meaningful andcomplex works ofEastern literature. “Translation is a dialogue with the original text. The translator should make the author’s voice heard, not his own.” says Viktor Shklovsky (Russian literary critic and translation theorist). This statement by Shklovsky reveals the role of the translator in the issue of objectivity and loyalty. This idea is especially relevant in the translation of texts with poetic, spiritual heights, such as Eastern literature. Metaphors, ironies, and mystical images are widely used in Eastern poetry. Finding suitable