THE EFFECTIVENESS OF FINE AND APPLIED ARTS IN CULTIVATING ELEGANCE IN BUILDING AN ENLIGHTENED SOCIETY IN NEW UZBEKISTAN

Аннотация

The article studies the theoretical foundations of the socio- philosophical analysis of the place of fine and applied arts in building an enlightened society in New Uzbekistan, the socio-cognitive potential of fine and applied arts in building an enlightened society in New Uzbekistan, the future tasks of developing fine and applied arts in building an enlightened society in New Uzbekistan. Also, the issues of developing fine and applied arts in building an enlightened society in New Uzbekistan are analyzed. Key words: building an enlightened society, integration, art, socio-spiritual basis, perspective, fine arts, applied arts, artistic-creative potential, systemic- functional analysis, theoretical-methodological basis. Introduction. Art is a collection of artistic works, in which the artistic reflection of reality occurs based on the principles of artistic creation, style, and method. The concept of style emerged much earlier than the concept of method. Some art critics regard style as a law of form, a collection of methods and tools unrelated to content, thereby absolutizing form. In reality, artistic style is a structural unity with content. Artistic style requires the unity and relative moderation of certain formal components. The concept of style is also explained by the internal connection between form and content. As style is manifested through form and content, it selects a particular method of creation. Just as artistic style cannot exist without the method of creation, the method of creation cannot be expressed without artistic style. In short, the method of creation and artistic style are interrelated concepts. Analysis of literature and methods. Regarding the spiritual foundations and social functions of art, art education, and its spiritual potential, researchers such as P. Van Hauve, D. Kerven, Y. Jacque-Dalcroze, L. Daniel, F. Lissek, R. Muenix, D. Karomatli, E. B. Abdullin, B. M. Teplov, A. N. Soxor, V. G. Mozgot, V. I. Petrushin, B. V. Asafey, V. Beloborodova, T. V. Cherednichenko, S. F. Gurbanalieva, E. Abdulin, Y. Bodina, N. Ivanov, A. Nizamov, V. Rajnikov, F. Khalilov, D. Soipova, O. A. Ibrohimov, D. Karimova, R. Khonazarova, S. Makhmudova, M. S. Mukhitdinova, Z. Oripov, SH. Omanqulova, Q. Panjiev, R. 172 CURRENT APPROACHES AND NEW RESEARCH IN MODERN SCIENCES International scientific-online conference Azizov, X. A. To’raqolov, M. Khojdaeva, G. Sharipova, U. Y. Yuldoshev have conducted research. Results and discussion. The method of creation is the collection of rules for the artistic evaluation and generalization of reality, while artistic style is the collection of rules for creating form. In order to understand the essence of artistic style, it is necessary to grasp the characteristics of the creative method. Key characteristics of artistic style include the harmony between external and internal delicacy, the infallibility of the sense of proportion, the strict proportionality of parts, and the completeness of unity. The relationship between artistic style and method has a historical character, as they function differently at various stages of society and art. In medieval European art, the artistic method called classicism set strict boundaries in the selection of artistic tools corresponding to the life objects and events chosen by the artist. As a result, the classical method merged with artistic style. In the art of realism, a different relationship between style and method can be observed. The realistic creative method expands the scope of artistic reflection of reality, necessitating the manifestation of various individual styles and even requiring different stylistic solutions in artistic works. This does not mean that the realistic method leads to the arbitrariness of artistic styles, but rather opens a broader way to understand the logic of reality and to express it through artistic means. While artistic style has an independent status, it originates from certain creative methods. A single method can be expressed through several styles. Works of authors such as Navoiy, Mashrab, Qodiriy, Oybek, Cholpon, Abdulla Oripov, and Erkin Vohidov, created in the realistic method, are examples of this. The concept of artistic style can be applied to a specific artistic work, an individual artist’s creation, a particular movement or trend, or a certain genre. For example, when discussing the artistic style of A. Qodiriy’s "O’tkan kunlar" or Cholpon’s “Kecha va kunduz,” it can easily be stated that these works were created in the "realistic method." In these works, the artistic style reflects the internal unity of the various components of form. Thus, style always indicates artistic integrity and relative moderation. Artistic style is most clearly demonstrated through a particular genre. A genre-specific style refers to the system of artistic expression tools specific to that genre. Tragedy, novel, or sculpture has its own set of visual-expressive tools. These works have their own 173 CURREN