THE HARMONY OF LYRICAL PSYCHOLOGISM AND ARTISTIC THOUGHT

Аннотация

It is noteworthy that the article uses terms of different forms in relation to this category. In particular, in Uzbek literary studies, one can find various terms of this category, such as "artistic concept of a person", "personal concept", "human concept". Modern Uzbek poetry continues the best traditions of classic and new Uzbek poetry, drinking water from the springs of world literature. Key words:human concept, traditionalist, historical types, mythopoetic, artisticthinking. For the formation of any creative artistic thought, diachronic and synchronous are of great importance. The level of artistic thought that will be created by the creative person depends on the artistic thought formed in the creative person and his talent. There is a continuity and continuity between them. Modern Uzbek poetry, continuing the best traditions of classical and newUzbek poetry, alsodrinks water from thesprings ofworld literature. It is noteworthy that various terms are used in relation to this category. In particular, in Uzbek literary studies, various terms of this category can be found, such as “artistic concept of a person”, “personal concept”, “human concept”. According to explanatory dictionaries, although the words “human” and “human” do not differ sharply in meaning, they differ in usage. That is, in many cases, “human” is used as a synonym for the word “person”, which embodies it as a socio-ethical phenomenon. In the literature on natural sciences, the use of the word “man” has becomea tradition. In such literature, we are accustomed to understanding “man”not as aperson, but as a biological being. Although we cannot clearly substantiate these considerations from a linguistic point of view, we feel the need to separately note that in this study, man is interpreted as a person, man is a biological being. After all, in the work, the terms “human concept”, “artisticconcept ofman” or“concept ofperson” mean thesame thing. Artistic thinking develops in interaction with human thinking. That is, the social, cultural, economic, and political development of man on the stage of history is directly transferred to fiction. Our worldview, formed in certain social conditions, and how we define our status in existence, shape the paradigm of this period: “The history of mankind is a change of paradigms. When a person feels that the highest goal he has set for himself is being devalued, he sets new goals and strives towards them.” The new paradigm that has been formed is conceptually manifested, first of all, in fiction. So, while searching for an answer to the question “who is a person?”, we will be able to see the path of gradual development of literature on a holistic map, notonly in terms ofperiodization ofall history. According to the world's leading literary scholars, "there are three main types of artistic http://www.internationaljournal.co.in/index.php/jasass 601 Volume15Issue03, March2025 Impact factor: 2019: 4.679 2020: 5.015 2021: 5.436, 2022: 5.242, 2023: 6.995, 2024 7.75 thought that are themost common and stable: 1)archaicor mythopoetic; 2)traditionalistornormative; 3)individual-creative orhistorical types" The archaic (mythopoetic) stage of artistic thought begins in the Paleolithic era and lasts untilthe7th-6th centuries BC in ancient Greece, and in theEast until the1stcentury AD. The stage of traditionalism (normative poetics) lasts from the 6th-5th centuries BC in Europe to the mid-18th century, and in the East from the 1st century AD to the late 19th - early 20th centuries, covering the longest period -two anda halfmillennia. The individual-creative stage began in Europe in the mid-18th century, in the East from thelate19th-early 20th century, andcontinues to thepresent. The fact that the historical stages and stages of artistic thought that we have listed above coincide so harmoniously is certainly not a coincidence. The reason is that literary criticism, when studying the literature of a certain period, first of all takes into account the socio-historical conditions of this period. Because "the level of development of the literature of each period, the various literary phenomena in it are largely related to the socio-historical conditions. The socio- historical conditions are understood as the socio-economic, cultural and educational state of society, all of which are considered external factors in the development of literary literature." Therefore, the concept of man is simultaneously both a literary-philosophical and a social category. Syncretism is shown as the main feature of the mythopoetic stage of artistic thought. Syncretism is derived from the Greek word "non-differentiation", meaning a holistic understanding of all being. Syncretism is "the state of human thought that has not yet been divided." That is, “it refers to the thinking characteristic of a mind that does not distinguish between nature and man, between words and what they mean, between “I” and “other”, between vitalactivity and art, and is no