Types of grix pattern in miniatures by kamoliddin bekhzod

Аннотация

This article analyzes the grix patterns in Kamoliddin Bekhzod's miniatures and their role in decorative and symbolic aspects in the artist's works. The features of the use of grix patterns are considered on the example of illustrations for Nizami Ganjavi's "Khamsa" and Amir Khusrav Dehlavi's "Layli and Majnun". In particular, special attention is paid to the functional and aesthetic significance of these patterns in miniature compositions. Keywords: Kamoliddin Bekhzod, Oriental miniature, grix patterns, decorative elements, symbolism, composition, ornament. Introduction: Kamoliddin Bekhzod (1455–1536) — one also studied. of the great artists of the Timurid era, whose The fact that all books and manuals have been valued miniatures have become mature examples of Oriental since ancient times and all the spiritual wealth in them painting. His work had a great influence on the has been preserved will delight any art lover. First of all, development of art in Central Asia, Iran and other the great attention paid in ancient times to the study of regions of the East. One of the main features of his miniature and the creation of works by artists is works is the use of grikh patterns, which give the noticeable in all the works produced. The great genius composition a special depth and expressiveness. The of the Eastern miniature art, the great artist Kamoliddin study of these patterns helps to better understand the Bekhzod, laid the foundation for the Eastern miniature artistic methods and symbolic meanings in Kamoliddin art with his national works. With his artistic skills, Bekhzod's miniatures. Kamoliddin Bekhzod was also awarded the high title of METHODOLOGY "Moniy Soniy (2 moniy)" and "Sharq Rafaeli" in the culture of the Eastern Renaissance. Thus, he went To analyze the grikh patterns in Kamoliddin Bekhzod's down in history as the founder of the miniature school miniatures, scientific works devoted to his work and in the East. With his inimitable creativity, beautiful art Oriental miniature painting in general were studied. and amazing skill, he made a significant contribution Among these studies, the articles published in the not only to the history of the culture of the peoples of journal "Art" stand out, since they provide a detailed the East, but also to the peoples of the whole world. analysis of the specific features of Kamoliddin Bekhzod's style and his contribution to the The painting "Layli and Majnun in the School" by development of the portrait genre in Oriental Bekhzod Nizami, based on "Khamsa", is remarkable for miniatures. Materials from the official website of the its comprehensive perfection. In a classroom Kamoliddin Bekhzod Museum of Oriental Miniature Art surrounded by ornate buildings, lawns, flowers, and a were also analyzed. These sources provide important pomegranate tree, a group of children are studying, information about his works and their artistic features. while another group is playing with childish joy and The research methodology included a visual analysis of excitement, eating, and some are putting on their the miniatures, with a focus on identifying and clothes. But Layli and Majnun are sad, indifferent to the classifying the grix patterns. The functional and events around them, immersed in some kind of fantasy aesthetic role of these patterns in the composition was world, watching each other silently. Bekhzod is an artist International Journal Of History And Political Sciences 25 https://theusajournals.com/index.php/ijhps International Journal Of History And Political Sciences (ISSN – 2771-2222) who brought vitality, truthfulness - realism to the art of medieval worldview, he based his works on his deep Eastern miniature. It is known from history that in 1495, love for real life. Nizami's "Hamsa" was copied in Herat, and a number