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РецензированоEN2021

The Implementation Of Makom Music Genre Into The Creative Works Of Uzbek Music Composers (In 1930-1990)

Samandar Kuzievich Khudayberganov · Sarvarbek Uktamboy O`G`Li Yo`Ldoshev (Professor Of The Department Of Music Education, Urgench State University, Uzbekistan) · Cop yright: Original (The 3rd Course Student Of The Department Of Music Education, Urgench State University,)

The American Journal of Interdisciplinary Innovations and Research · 03 · 2021

Аннотация

This article reveals the essence of the study of the practical basis of Uzbek makoms, the use of maqom, national melodies by the Uzbek music composers. The delineation of Uzbek makoms in the music compositions, the performers of a wide range of national makom music, and the aspects that should be considered, are explained. The creative works by a number of Uzbek composers are also considered. KEYWORDS Uzbek music, music art of maqom, national music, Shashmaqom, compositional creativity, musicology, Uzbek opera, Uzbek musical dramas, theory of music, music forms.

Доказательный фрагмент

«This article reveals the essence of the study of the practical basis of Uzbek makoms, the use of maqom, national melodies by the Uzbek music composers.»

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Демо-превью

This article reveals the essence of the study of the practical basis of Uzbek makoms, the use of maqom, national melodies by the Uzbek music composers. Полный текст публикации CiteX не хранит — доступ к первоисточнику открывается по DOI согласно лицензии издателя и выбранному плану.

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Тип
Журнал
Страна
Узбекистан
Ключевые слова
Uzbek music, music art of maqom, national music, Shashmaqom, compositional creativity, musicology, music art of maqom,
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