The Peculiarity of The Specificity and Systematization of Legends in Folklore Studies

Аннотация

The article examines the genre nature of legends, the uniqueness of their poetics, and the scientific description of the varieties of the genre in folklore studies. The diversity of the paradigm of folklore legends, their constant interaction with other genres predetermine the introduction of new definitions and the clarification of existing ones. At present, the plots of various legends in the global context are the most popular narrative and content structures for expressing and transmitting personal religious feelings in modern oral folklore. Such stories expand the boundaries of reality and allow a miracle to enter everyday life, transforming it, changing the person himself. Keywords: Legends, worldview, semantics, folklore studies, images, motives, peoples. wider range of prose folklore texts marked by the Introduction: Legend (from Middle Latin legenda "a aesthetics of the fantastic and miraculous. collection of liturgical passages for daily service") is one of the varieties of non-fairytale prose folklore. A poetic Legend is an approximate synonym for myth; an epic legend about some historical event. In a figurative story about what happened in ancient times; the main sense, it refers to glorious, admirable events of the characters of the story are usually heroes in the full past. As a rule, it contains additional religious or social sense of the word, often gods and other supernatural pathos. forces directly participate in the events. Events in a legend are often exaggerated, a lot of fiction is added. The complex, in many ways’ unique artistic world of Therefore, scientists do not consider legends to be folklore legend attracts the attention of modern completely reliable historical evidence, without researchers of folk spiritual culture. Meanwhile, the denying, however, that most legends are based on real problems of the genre essence and aesthetic nature of events. the legend are far from solved, as are the closely related issues of intra-genre classification of the Legends are divided into religious and social. Legends existing corpus of texts, published and archival. The were usually oral stories, often set to music; Legends structural diversity of oral legend and its insufficient were passed down by word of mouth, usually by study complicate the problem of genre definition. In wandering storytellers. Later, many legends were the works of folklorists, the term "legend" is most often written down. Since when legends were composed applied to religious narratives: apocryphal stories on about someone, it meant public recognition of their biblical themes, folk biographies of saints and stories deeds, the word acquired an additional meaning: it is about posthumous miracles, the power of prayer, sin used to refer to events and figures (for example, and righteousness, desecration of shrines and "Legend of Rock") that have received recognition and retribution. At the same time, legends also include a honor. International Journal Of Literature And Languages 24 https://theusajournals.com/index.php/ijll International Journal Of Literature And Languages (ISSN: 2771-2834) themes and problems of legends semantic connections of the characters of legends with each other the position of the narrator in relation to the eventful world of the legend, his detachment or THE CATEGORIES BY WHICH involvement in it FOLK LEGENDS ARE DIVIDED INTO THREE TYPES CAN BE PRESENTED AS FOLLOWS: the artistic space and time of legends the form of existence of the text (established plot narrative, memorandum) the connection of the oral legend with written monuments of religious motives prose, a person's contact with a demonic creature is As for the stylistic features of legends, we proceed from predetermined by the violation of the prohibitions of the thesis about the low expression of the aesthetic everyday or ritual behavior of the protagonist, which attitude in folk non-fairy-tale prose (expressed in often leads to a tragic ending. For example, if the speech stereotypes, formula city, the presence of so- prohibition to yearn for the deceased is violated, the called "common places", entertainment, traditional for "evil spirit" in the guise of the deceased appears at song, fairy-tale, and game folklore), the absence of an night in his house to destroy the orphaned family. A inseparable "connection between form and content in short story often assimilates the features of a legend, the sense that artistic forms are unstable and optional while retaining the characteristics of a mythological here" and, accordingly, about the prevalence of story. A legend, to an even greater extent than short information, colloquial rather than artistic speech, an stories and tales, is open to intergern influences - at all attitude towards reliability. However, their stages of the genre's development. It initially contains identification, even conditional, leads to the blurring of features of folklore and book genres (fairy tales, genre boundaries. Such a