Poetic principles in depicting the socio-psychological spirit of the father figure in 20th-century Uzbek stories

Аннотация

This article discusses the socio-psychological approach to creating the image of a father in 20th-century Uzbek storytelling, the writer's unique style, the coverage of the 20th-century social environment in Uzbek storytelling, and the unique aspects of the human image. It also discusses poetic principles in depicting the psyche of the character. Keywords: Socio-psychological, harmony, image, writer, style, repression, passage, spirit, principle, character. information through the details provided by the Introduction: In the 20th-century stories, the author. As a result of these details, the reader's interest integration of artistic depiction and socio-psychological in the story increases. views began to bring significant changes in the creativity of writers. As a result, the issue of choosing a At the beginning of the 20th century, when the epic character and bringing it to the center of the story was genre was just beginning to gain popularity in our gradually depicted in connection with real life. It is no literature, the uniqueness of such works lay in the fact coincidence that each story's events were increasingly that the essence of the events depicted could be dedicated to social life problems and their understood either through the dialogue between the consequences. characters or solely through the author's narration. Of course, for this information not to remain superficial, Previously, we often witnessed that World War I and its the author must have a deep understanding of life, be consequences, repression and human destinies, the able to analyze it in all its complexity, and use words in impact of World War II, and the losses in the Afghan a way that directly influences human emotions." [2] "In war tested the people's endurance and resilience. As a particular, a writer's skill is evaluated by how deeply a result of the misfortunes that befell the people, not reader connects with the character—crying when the only those who were martyred but also their family character cries, rejoicing when they rejoice. In the members who were left behind experienced a process of creating a character, the writer considers the fundamental change in their lives, which was reflected character’s social status and psychological state. in many stories. Likewise, in depicting the character, the reader’s The depiction of these processes in artistic literature perception of reality is also taken into account." "It required a special approach from writers, so it can be is known that every literary work is created by a specific said. "The artistic excellence, longevity, unique individual—an artist. Artistically mature works, created qualities, charm, and enchantment of any literary work by true talents, renew poetic thinking in one way or are primarily manifested in the construction of the another, laying the foundation for the emergence of author's speech. The author's speech, considered a new trends, movements, and directions in literary life. mirror reflecting the beauty of a work of art, appears in At the same time, they also influence the development the fabric of the literary work’s language in the form of of social thought.”[3] a monologue." [1] "In this regard, the depiction of the "Before studying literary works, it is necessary to inner experiences and psychological states of story determine the methods and levels of their analysis. characters in writers’ works inevitably relies on the “Poetics” (from the Greek ‘poietike techne’ – the art of writer’s skill. This is because the reader initially receives creation) is, in a broad sense, a component of literary International Journal Of Literature And Languages 59 https://theusajournals.com/index.php/ijll International Journal Of Literature And Languages (ISSN: 2771-2834) theory and a doctrine about literary works. the knot introduced at the beginning gradually Understanding poetics as general literature and the unravels, providing answers to these questions. science of verbal art—literary theory—has been a Similarly, in A. Qahhor’s other stories, such as tradition since ancient times."”[4] "Before studying a “Mahalla,” “Kartina,” “Xotinlar,” and “Yillar,” the specific literary work, obtaining information about it stories begin with a knot and progress toward its allows for a better approach to its analysis. In this resolution. This technique is evident in nearly all of his regard, poetics holds great significance. Some writers works, which is why A. Qahhor is considered a writer begin their work from the climax, while others start with a distinct literary style." "In Abdulla Qahhor’s short from the knot of the plot. This, in turn, defines the story “Asror bobo,” not only is the “Father” figure writer’s unique style and, in some cases, has a distinct deeply portrayed, but his emotional and psychological impact on the reader’s psychology. state is also vividly illustrated. For example, most of A. Qahhor’s stories begin with a “Asror bobo’s son, Yodgor, was killed on the