Наука и технология в современном миреМирзаева Ширин Нодировна, Тахиров Чингиз Аъзамович +22026
Stage culture – as a set of positive relationships between performers and public audiences
PAGE NO. - · Mo‘minova Dilfuza No‘monovna
American Journal Of Applied Science And Technology · 05 · 6-14 · 2025
Аннотация
This article talks about the need for artists who have mastered the art in our country to know the internal and external features of the stage, the special role of stage culture, the performing skills of the performer, and the performer’s attitude towards the stage. Keywords: Stage, culture, performer, music, values, traditions, musical heritage, audience, acting. Introduction: The democratic changes that have begun Performers acted as role models for everyone in the in our country are clearly visible in all spheres of social eyes of the people. The performance process itself life, that is, in the world of spirituality. A number of requires them to be polite, ethical, refined, graceful, works are being carried out in order to build a legal beautiful, graceful and sincere in their behavior, as in society based on national and universal values. For the treatise, in their behavior towards the listener. All example, the problem of developing our national art, these are aspects inherent in the performer's instilling the ideas of the ideology of national performance culture. independence in the content of the educational Improving the performance skills of students, their process, and the aesthetic education of young people musical outlook and thinking, along with Uzbek folk through national values, traditions, and centuries-old music reworked by composers and works of various musical heritage is gaining particular relevance. The genres specially written for orchestras, as well as formation of a free civil society depends, first of all, on masterpieces of the CIS countries and world musical the spiritual and moral maturity and high level of culture, to develop and enrich their musical perception, intellectual potential of the people living in this society. secrets of professional skill in the process of The purpose and idea of each work performed on stage performing. do not leave the viewer indifferent. Because each Conductors conducting the orchestra are also required performance has a high level, strong expressiveness, to have a perfect knowledge of the performance and, of course, stage culture. capabilities of this creative team and the location of Music is the interpreter of the spiritual world of man, it their instruments in the orchestra, the process of affects human feelings and spiritually educates a tuning instruments and, most importantly, the laws of person. Today, the art of music is important because it stage culture. gives people, especially young people, a high spirit, STAGE - the part of theaters and art palaces where the directs them to creativity and inventiveness. In our performance is presented, which is clearly visible to the country, performers who have mastered art must first audience and convenient for actors and performers. of all know the inner and outer characteristics of the Culture is a set of symbolic devices and works that stage perfectly. Therefore, studying various genres determine human activity and the significance of this from their own point of view is an urgent issue. activity. The main tasks of musicians and singers in ensembles Culture is a certain level of historical development of include a set of actions and psychological relationships society, human creative forces and abilities. It is that help to introduce the public to art, to educate expressed in various manifestations of people's life and respect for the stage and the audience. Such activities, as well as in the material and spiritual wealth relationships set us a number of important tasks. they create. American Journal of Applied Science and Technology 66 https://theusajournals.com/index.php/ajast American Journal of Applied Science and Technology (ISSN: 2771-2745) The concept of "stage culture" includes a set of actions musical pitch, connecting it with practical reality, and and psychological attitudes of the performer, which singing through the voice through superficial and contribute to the main task of performing on stage - to external sensations is considered to be the level of familiarize the mass audience with art, to educate performance. This factor is defined by the musicologist respect for the stage and the audience, as well as the Yu.V. Kats in his scientific research as “interpretation interest of both parties (performer and audience) in the difficulties” and notes that its characterizing factors are presented artistic material. related to 4 conditions. “...the interpreter’s personal Stage culture begins with appearance. - "A person capabilities (for example, hearing ability, musical should perform on stage not only with his voice, but, memory, volume of voice, natural talents such as most importantly, with his head, heart, and whole lessons and level of knowledge, etc.), acceptance body," says film and dubbing actor, pop singer, People's norms...” It is worth noting that these aspects certainly Artist of the RSFSR M.N. Bernes. include problems related to the performer’s A distinctive feature of the p
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Демо-превьюThis article talks about the need for artists who have mastered the art in our country to know the internal and external features of the stage, the special role of stage culture, the performing skills of the performer… Полный текст публикации CiteX не хранит — доступ к первоисточнику открывается по DOI согласно лицензии издателя и выбранному плану.
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- Тип
- Журнал
- Страна
- Узбекистан
- Ключевые слова
- Stage, culture, performer, music, values, traditions, musical heritage, audience, acting
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