THE BASICS OF CHOREOGRAPHY ABOUT SINGING AND DANCING

Аннотация

This article discusses the basics of choreography, European classical choreography and world folk dances. Keywords: choreography, dance, stage, art, classical, world folk. ОСНОВЫ ХОРЕОГРАФИИ О ПЕНИИ И ТАНЦАХ Аннотация. В статье рассматриваются основы хореографии, европейская классическая хореография и мировые народные танцы. Ключевые слова: хореография, танец, сцена, искусство, классический, мировые народные танцы. 1. European classical choreography Classical dance initially entered the art of dance as a means of educating dancers. Later it became a separate, independent genre. The basis of choreography, formed over almost three centuries and as a result, a set of movements that have a strict system - the classical dance school and its teaching methodology are recognized today by the whole world. The main goal of the discipline is to develop the body of the dancer and teach him to perform movements freely. It forms the correct posture, acquires coordination, flexibility, and also forms creative thinking, a culture of dance performance. Classical dance terminology first appeared in the 17th century at the French Royal Academy of Dance. Pierre Beauchamp was the ballet master of the French Royal Academy of Dance. Jean-Jacques Noverre (1727-1810) is considered a leading French choreographer. Classical dance terminology has changed over the years, been supplemented and improved, and has now reached the level of a strict system that is still used in dance education around the world. Professor Vaganova - Agrippina Yakovlevna, the founder of the Russian classical dance school, made a great contribution to the clarification and improvement of classical dance terminology. Just as medical terms are required to be written in Latin, classical dance terms are also preserved in French. In classical dance, there is 1 free and 5 open positions of the foot. There are 1 free and 3 forced positions of the waist. There are positions of the fingers "Allonge" - (extended), of the body "Croise-Croise" - (closed or crossed), "Effase-Effase" - (open or soften), "Ecarte-Ecarte" - (to the sides, in the "croise" and "effase" positions of the body), "Arabesque-Arabesque" - (patterns or ornaments), 638 ResearchBib IF - 11.01, ISSN: 3030-3753, Volume 2 Issue 3 "Attitude-Attitude" - (the working leg is raised back 90 degrees, the knees are slightly bent, in the "croise" and "effase" positions of the body). A set of exercises that are constantly repeated, from simple to complex. Classical dance training consists of three parts: 1. Exercises near the bench. 2. Exercises in the middle of the hall. 3. Jumps. Each part of the movements has its own main function. They work each joint, muscle and ligament one by one. Exercises near the bench serve to improve coordination, strengthen the legs, increase the elasticity of the head and body, and strengthen stability during performance. World Folk Dances We can understand the connection of dance art with human life depending on its appearance, appearance, and expression. Through dance art, we understand people's occupation with production, struggle with nature, and spiritual development. The source of folk art is the lifestyle of humanity, regardless of its type, all life movements are also dance movements. However, folk dances show the essence of life. Dances in the I and II worlds are the basis for creating the characters of individuals. Just as the Indian folk dances of "Wishing for Rain", "Appeasing the Moon", and other actions of those who have achieved their intentions are similar to the Buddhist dances of the Uyghur people, we can see that the events and stories of life in the dances of the Uyghurs, "Mu/," "Peacock," "Munojat," "Samo," "Pir" and other folk dances are related to religious beliefs. Uzbek and other world folk dances are also not devoid of feelings such as supplication, seeking refuge, and lamenting to God. Such beliefs have diminished and later turned into dance art in the process of the development of life. Scientific research by art historians has proven the antiquity of dance art and its long history. Folk dances have a deep meaning. We should be interested in these contents, research them, develop them, and imbue them with the spirit of the times and give them a certain new meaning. If we carefully examine and discuss folk dances, we can see that they express the lifestyles and worldviews of absolutely countless peoples of the world. It is a scientific task to find, study, and correct the unique uniqueness and characteristics of traditional folk dances. Historical dances have been passed down from generation to generation for thousands of years. Although it is a folk art, it was not without the influence of feudalism due to the form of the era and history. Therefore, naturally, religious content was mixed into a number of dances, causing them to lose their purity or disappear. If we turn to the art of dance of the peoples of the world, we can see that there are thousands of ty