METONYMY AND ITS MANIFESTATIONS IN LYRICAL IMAGE AND EXPRESSION

Аннотация

Помимо метафоры, метонимии, синекдохи и дежурства, в статье рассматривается смешанное использование смысловых переносов, а также то, что переносы, встречающиеся в метафоре-метонимии, метонимии-синекдохе, часто встречаются как в устной речи, так и в художественной литературе. В ”Cловаре литературоведения " исследуется проблема того, что в художественной литературе, особенно в современной литературе, где преобладает метафорическое мышление, метонимия встречается реже, чем метафора,по эстетическойфункциональности онастоитниже метафоры. The lexical meaning of any word expands and develops as aresult of thedisplacement ofa character, action, feature to another object of the same nature. The semantic laws in each language itself, which determine such a development of the migration of meaning, are directly related to artistic creation. In the transfer of meaning by way of metonymy (Greek metonymia — “rename”), one character, the name of the action is based on interrelationship, dependence, and not on another similarity. In addition to metaphor, metonymy, synecdoche, and functionalism, there is also a blurred application of the displacement of meaning. This phenomenon also applies to metonymy: echoes found in metaphor-metonymy, metonymy-synecdoche are abundant both in oral speech and infiction. In the”dictionary of literary studies", metonymy is relatively rare in fiction, especially in modern literature, where metaphorical thought is leading, with zero being inferior to metaphor in terms of aesthetic functionality. Nevertheless, with the use of a metaphor in the artistic text, it has a great artisticeffect, serving to present asuccinct and touching expression ofthought1. 1Қуронов Д., МамажоновЗ.,Шералиева М.Адабиётшунослик луғати.–Тошкент: Akademnashr, 2013. –Б.172. 491 INTERNATIONAL MULTIDISCIPLINARY JOURNAL FOR RESEARCH & DEVELOPMENT SJIF2019:5.2222020:5.5522021:5.6372022:5.4792023:6.5632024:7,805 eISSN:2394-6334 https://www.ijmrd.in/index.php/imjrd Volume12,issue02(2025) In the”dictionary of literary terms", metonymy is " a portable expression based on the closeness between two concepts2, while it is said, another literary Dictionary defines it as: “a dissimilar transference based on the closeness between two concepts. In metonymy, the name of something or an event is moved to another, it is represented by another name, but this designation is based not on the similarity between the object or objects, but on the closeness, affiliation between them. It is in this aspect that metonymy differs from istiora”3. From the above definitions, summarizing the concepts of metonymy, we come to the following stop. Hence, metonymy is a displacement of meaning, that is, a type of metaphor, which refers to the connection between two things, an event-an event based on,however, between them, form, similarity in content, intimacy are not observed at all. For example, blue(sky, blue, color, monetary unit (dollor). There are thefollowing manifestations ofdisplacement bymetonymy: 1)the nameofone object is movedto another object inthesameobject: Ilisten to theIstanbul with my eyes closed Agentlebreeze blows inadvance Slowlyshaking Leaves ontrees Far too far away Unstressed whistles ofthemeshkobists Ilisten totheIstanbul with myeyes closed.4 In this excerpt from the poem of the Turkish poet O'hun Veli, the way of life in the city of Istanbul in the last century, the living conditions of those who live in the city, their thoughts, anxiety-he is expressed. The author strives for brevity and drops the word city. The excess word known to the reader-drops the information. Usually, such a method is characteristic of oral speech. In particular, the sentence I went to Tashkent is used in the way I went to Tashkent, and this is the usual norm for our speech. Because such a method makes speech compact, thought compressed and impressive. The first line of the poem uses metaphor (I listen to the Istanbul) and metonymy (I listen to the Istanbul). Whileinthe former theword town is dropped, it is perceived in context,whilein the latter The hear is actually a sound from itself, an echo-emitting object, or a characteristic characteristic of people ismoved tothe“town”. As ifitcame to theworld Otilaman tothetip ofIndian mountain. Into ketar Kallam The ownerof adeserted world.5 2 Ҳомидий Ҳ, Абдуллаева Ш, Иброҳимова С. Адабиётшунослик терминлари луғати. – Тошкент: Ўқитувчи, 1970.–Б.98. 3 Ҳотамов Н., Саримсоқов Б. Адабиётшунослик терминларининг русча-ўзбекча изоҳли луғати. –Тошкент: Ўқитувчи,1979.–Б.364. 4Ҳозиргизамон турк шеърияти. –Тошкент: Ғафур Ғулом номидаги АС,1980.–Б.10. 5Ҳозиргизамон турк шеърияти. –Тошкент: Ғафур Ғулом номидаги АС,1980.–Б.10. 492 INTERNATIONAL MULTIDISCIPLINARY JOURNAL FOR RESEARCH & DEVELOPMENT SJIF2019:5.2222020:5.5522021:5.6372022:5.4792023:6.5632024:7,805 eISSN:2394-6334 https://www.ijmrd.in/index.php/imjrd Volume12,issue02(2025) The band used the shaky similarity of the words mountain and odd as a word game, the tip of the mo