SIMILARITE RELATIONSHIP OF PARABLES WITH OTHER FOLKLORE GENRES

Аннотация

This article analyzes the similarite relationship of allegories with other folklore genres. Key words: satire, similarity, plot, real, fact, lyricism, anecdote, concentration, dominant, embodiment, allegory, story, image. СХОДНЫЕ СВЯЗИ ПРИТЧИ С ДРУГИМИ ФОЛЬКЛОРНЫМИ ЖАНРАМИ Аннотация. В статье анализируются сходные связи аллегорий с другими фольклорными жанрами. Ключевые слова: сатира, сходство, сюжет, реальный, факт, лиризм, анекдот, концентрация, доминанта, воплощение, аллегория, рассказ, образ. The interaction of folk oral creativity and literature is an inevitable phenomenon, and folk oral creativity arises from an inextricable unity of goals and objectives. Folk oral creativity is not limited to simply mastering the images, forms and styles created, but creatively assimilates them, as folklore absorbs ideas and images formed in written literature over time. The people's ability to think figuratively was most strongly manifested in songs of a fairy-tale character. Didactic works about the moral standards of the people, forms of social life embodied the idea that Labor is the main source of well-being, condemning envy, greed, cruelty, injustice. In the songs, the principle of healthy living is contrasted with laziness, inability to work. The satire of the songs in this cycle is masked by a complex system of characters, good- mood jokes are often intertwined with caustic satire; The songs are built on a certain comparison, and the condemned characters are usually placed in funny situations. The destruction of animals and birds is often condemned in monuments of song poetry. Vulnerable small animals, insects useful to humans, fruit trees complain about the turmoil of their personal lives and family hearths. It is not difficult to understand that the images of animals and birds depicted lyrically are perceived as the personification of a person, especially a woman with a difficult fate. The songs expressed sympathy for the hero as well as condemnation of his tyrants, including human beings. The songs condemn the killing of the bird during the nesting period, and the perpetrators are often punished either spiritually or physically. The songs also show the social purposefulness inherent in the best works of folk oral creativity. 255 ResearchBib IF - 11.01, ISSN: 3030-3753, Volume 2 Issue 3 The desire of man to subjugate nature is, of course, a heroic and noble desire, but the characteristic allegorical nature of songs evokes such a deep feeling in them as the spirituality and humanization of nature. The images in these works are hyperbolic, the cases of fairy tales in them are closely connected with the facts of real life, which is also characteristic of parables. The satire of the songs in this cycle is masked by a complex system of characters, good- mood jokes are often intertwined with caustic satire; The songs are built on a certain comparison, and the condemned characters are usually placed in funny situations. In terms of content and images, form, compositional methodological structure, ways of characterizing images and developing a story, the song saga is close to parables. A fairy tale is a genre form that can represent the content of various genres, of course, accordingly reorganizing its figurative details. Representing the same genre content, passing from one generation of allegorists to the second generation, the song-like allegory gradually became subject to canonization of performance techniques. Just like a song that is characterized by the relative brevity of the plot. The ability of different nations to reproduce reality in a poetic way, to deeply express their expectations in the song is evident. In its content, the song folklore of the Uzbek and Russian people retains traces of many stages of historical development. The originality of the songs reveals not only the colorfulness of the inner world of a person, his feelings and experiences, but also the historical life of the people, the peculiarities of their daily life, traditions, etc. Therefore, the song is a very abundant and invaluable material not only for studying the poetic creativity of the people, but also for those who study its history. "In the songs, the men undeniably revealed independent creativity". The mainstay of folk creativity is lyrical singing. It covers all spheres of life of the Uzbek people, their daily life - family, social, everyday, holiday. The poetry of the song reflects the lives of different social groups and expresses different manifestations of the soul of the people: joy, sadness, irony, etc. Lyrical songs have achieved high ideological-artistic perfection due to the fact that for centuries they have become the artistic chronicle, the embodiment of life. But it should be borne in mind that folk folk folk song is never purely lyrical. Many songs from the distant past represent fragments of ancient epic works of a supposedly allegorical character. They are plot-based works built for a moment. The relationship