К содержанию
РецензированоEN2025

CORROSION AND METAL PROTECTION

INUZBEK FOLKSONGS · Shononova Qurbonoy Nurfayiz kizi

Международный журнал искусственного интеллекта · 05 · 2025

Аннотация

folk songs are not only a musical fusion, but also a powerful tool that expresses the spirit of the people, their inner world. Each song has its own narrative spiritual values and moral standards. They include the long - standing traditions of the people, Family Values, patriotic feelings and human qualities. As such, these songs have been passed down from generation to generation through time, serving to preserve our national unity and mustachamic traditions. Therefore, folk songs are not only a unique musical heritage, but also an integral part of our national culture. In our article, we will analyze in more depth how these values and traditions were increased tolifein folk songs. Keyword:spirituality, value, season, past, ritual, night, rain, culture, labor songs, walk, cultural heritage, emotion, nationalism, tradition. Introduction: the past traditions of our people, national customs, National Music widely promote the best examples of Art, Preserve and develop national musical traditions in order to instill a sense of love for art in the younger generation and to expand international creative ties, to further deepen peace, friendship, mutual harmony, cultural and man - made harmony in our country. The main goal of these opportunities is to increase the interest and ability of the younger generation to national folk songs, music and arts, increase their activity in society, educate them in the spirit of respect for the traditions and national values of our people, comprehensively increase the spiritual and religious level to create wide opportunities for the spiritual and interstitial development of students, , it is envisaged to create the necessary conditions for being abahramant from thehigh samples ofFine Art and masterpieces of the classical musical heritage of the Uzbek people, to shape the high moral qualities of students on the basis of a continuous integration of national and universal human values by teaching them the basic foundations of knowledge in the areas of general music, choreography, theatrical art, fine Also in order to revive and develop the foundations of our national musical art and folk songs, as in all directions of society life, the content of music education, which is present at all stages of the system of uninterrupted education, is enriched with information and works to the national musical heritage dam. This situation can be clearly seen in textbooks created on the basis of state educational standards and curriculum, produced and implemented for general Secondary Education Schools, >, the most important formative stage of the educational system. In many countries of Jaho, the work of providing musical education to the younger generation is of general state importance, and an important means of personalization is noted. The musical education of each country serves thesocial system of thepeopleideologically -politically. Songs page652 INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE ISSN:2692-5206,ImpactFactor:12,23 AmericanAcademicpublishers,volume05,issue02,2025 Journal: https://www.academicpublishers.org/journals/index.php/ijai in folk oralism are lyrical works. Because they reflect the feelings of the inner experiences of a person. The song appears in Mahmud Kashgari's work > (1074), in the form >, and has the meaning of a poem, a qasida (a lion named after someone or something). In ancient times, terms such as >, >, (yir), > were also related to nazim, sher yaniy to some extent to the song janiri. All references to the song state that > was formed from felis. No matter how simple the origin of the term song may seem, this genre in our oral creativity serves to express very complex spiritual experiences. The genre characteristics ofthesongs are as follows. 1.It reflects human experiences, joy and anguish, words oftheheart. 2. The song takes the form in a sherry manner. Uzbek folk songs are written mainly in fingerweight, sometimesin aruz weight. 3. Often folk songs consist of four verses and have the characteristics of expressing a complete state of mind-it is also possible to have songs dedicated to some topic, consisting of several points. Specimens with 6.8 verses are also found in the same cave. They are ABAB or AABB, vvgg; whilethe fourEgyptians are Aab; abab, aaaa; AABBrhymes differently. 4.Thesongis sung andaynana is performed in thesame verse. The main story: in the Uzbek folk musical heritage, folk songs in a very wide form of popular art also embody the pedagogy of our people, which has been shaped for centuries. Separately, it should be admitted that Sheri matin, who belongs to the Uzbek folk oral art or the work of some poets, writes. Moreover, in all times, very perfect mature samples of songs have been created by composers of unique talent who have matured among the people-that they are chanted and sung as songs > on hozzirgi day. In addition, mod

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«folk songs are not only a musical fusion, but also a powerful tool that expresses the spirit of the people, their inner world.»

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Узбекистан
Ключевые слова
folk songs, musical heritage, our national, our people, national musical, younger generation, uzbek folk
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