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РецензированоEN2025

Representation of the lyrical passage with nature images

PAGE NO. - · Fayzullaeva Sayatkhan Uzakbaevna (PhD)

International Journal Of Literature And Languages · 05 · 2025

Аннотация

This article reveals the methods and peculiarities of conveying experiences about the paysage in the poems of poets M.Jumanazarova and P. Mirzabayeva. The lyrical hero in the poems of the poets demonstrates the artist's skill in a unique style through the descriptions of the paysage. In the works of the poets, experiences are artistically expressed on the basis of various details. Keywords: Lyrical excitement, poetry, lyrical hero, inner form. "Ádebiyattanıw sózligi" paysage not only reflects the Introduction: There isn't a poet who hasn't been appearance of literature, but also lyrically divides the touched by the beauty of nature, who hasn't been hero's efforts based on the pisage into thematic types, inspired by it, who hasn't been inspired to create. The which can be socio-political (A. Oripov's "Gúzek bright sunshine, the silver fountains, the green fields, hayollari" ), socio-political (A. Oripov's "Bahor kunlarida the flowers, the gentle movement of the birds and the kuzning havosi" ), intimate (A. Oripov's "Sen bahorni silence - all this adds beauty to the outlook of the sag'inmadingmi") and other directions.[3] So, based on beautiful heart and renews the outlook on life. Artistic the content of our work, we try to see the cases in works full of spiritual waves taken from the poet's which the lyric is given with the help of landscape nature arouse the reader's passion for his work. images of the past. Lyric in landscape expression will be Paysage lyric is the oldest genre in literature. "Paysage" filled with patriotic ideas in accordance with the style is the French word for ""paisaj", which literally means of poet M.Jumanazarova In his lyrics to "Jazdń noseri", "place or place", and "country". he refers to the spring as dry and the summer as rainy. An important component of the artistic reality Lyrically, the character talks to nature, saying "jawındı represented in a literary work is the image of an open berseń jerge tuqım shashpastan ber". space (closed space) in which the reality takes place. [1] Ala báhár. Qaqsap tur quw dala, Often, landscape is understood to be a representation of nature, but such a concept is seen in a narrower Duzlı shańǵıt eser, ala-sapıran, sense. It is desirable that both natural and man-made Оtlaqlar kúyregen, zar tamshı suwǵa, environments are under consideration. Jawın, jawın ber, ey saqıy aspan. Moreover, the nature given in the landscape lyric suggests that the lyric represents the heart of the subjectWe agree with the opinion of the Uzbek Jaz оrtası, Nóser. Selletti nóser, scientist T.Boboyev: Literature is not just a guide in the Jer qatıwash ashtı endi eńbek hesh, eternal work. Chunkir, landscape lyric features objects Qatqalaq, qalaysha tuqım kógerer, depicted with heads. However, in this type of work, the Bul nóser keshikti, júdá ǵana kesh.[4.] landscape is also associated with human life and emotions.[2] Thus, in artistic works depicting The poet is pained by the injustice and cruelty of landscapes, the experiences that affect the human nature. The lack of rain during planting, the crop failure heart show their influence. The pisage we've described of the farmers, the fact that our fields have lost their serve to convey the essence of the poem, the essence crops, the fact that the crops have suffered more in the of the poem. Uzbek scientist DKuronov's dictionary hot summer than we have used the water. The poet International Journal Of Literature And Languages 47 https://theusajournals.com/index.php/ijll International Journal Of Literature And Languages (ISSN: 2771-2834) laments the damage to agriculture after the flood. Of course, this place may not be worth anything in the We've said before that a paysage is not just a natural wilderness, in the vast plains, but it represents the phenomenon, it's also a human-made place. In her future and the glory of its native people who live in this song "Iyesiz, húwilder góne tam... ", the lyrical land. In short, we can see that the depictions of nature protagonist expresses her sad feelings about the are based on the synthesis of the lyrical heroine's deep destruction of her childhood home, which was a place socio-philosophical thoughts about the Motherland, of interest, and the abandonment of the house because the people, intimacy. We understand that poetry not it was uninhabited. only expresses literary beauty, but also creates a subjective world and an artistic nature created by man, Iyesiz góne tam húwilder, able to express his ethical-aesthetic tendencies in deep Qap tutıp qоyıptı áynekke, meanings. Al qálbim qulazıp eńirer,

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«This article reveals the methods and peculiarities of conveying experiences about the paysage in the poems of poets M.Jumanazarova and P.»

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Lyrical excitement, poetry, lyrical hero, inner form
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