Common issues of poetry in karakalpak literary criticism (1990-2000)

Аннотация

General common issues of poetry were comprehensively discussed from a scientific point of view in the Karakalpak literary criticism of the 1990s. The article covers literary criticism materials published in the Republic of Karakalpakstan in 1990-2000 in the magazine "Amudarya" and newspapers "Erkin Qaraqalpaqstan," “Qaraqalpaqstan jasları”, “Ustaz jolı”. Keywords: Periodicals, Karakalpak poetry, literary criticism, general issues of poetry. in spite of the difficulties in writing. Many young people Introduction: One of our experienced critics, G. joined us." In fact, it is difficult to refute this opinion of Esemuratov, who also objects the literary heritage of the critic, and he strongly confirms this opinion in his this period to modern Karakalpak poetry, puts the issue article with many examples, facts, literary textual of conscience in poetry on the forefront, while S. materials about the glorification of the issue of Akhmetov and K. Orazimbetov correctly observe its conscience. In fact, the poetry of any era, humanity in distances, saying that "the literarature is in directions." general, the most important thing for humanity is J.Esenov said that in poetic life it is necessary to give a conscience. This is a topic that politics and ideology do name "for the pearls of truthful, deep-spirited words," not ever choose. while talented young critics H.Otemuratova said "You are the star of poetry!"Z. Bekbergenova connects As the critic correctly pointed out, this issue began to poetic works with national folklore traditions and be boldly raised in poetry in the last years of the 20th compares them with them in order to introduce a century. It is clear that this may have been caused by literary-theoretical problematic quality to her the political and social restructuring, followed by the thoughts, T. Mambetniyazov closely connects poetry moral climate brought by the market economy. with the period, B. Genjemuratov as a poet-critic also Therefore, as the critic correctly pointed out, highly appreciates its novelty and deep thinking, conscience in the works of M. Nizanov during this symbolic-metaphorical, figurative qualities. period: Q.Jarimbetov, Q.Orazimbetov, P.Nurjanov built their “Hújdan” degen qam sózdi, (A "conscience" is a word,) opinions about our poetry around theoretical issues. All Bir somlıq tıyınǵa baylap beremen (I'll put it up for a this testifies to a broader and deeper exploration of the kopeck) multifaceted secrets of the national art of speech in the literary world, the striving of his research towards It is said with deep irony. What sharpness is there in scientific and theoretical depths and new aesthetic this, a thought that "does not slip."As Genjemurat spaces. Taking these circumstances into account, we Esemuratov felt very deeply, the poet does not say think it is appropriate to pay more attention to the these things for nothing, without justification. specific issues raised by literary criticism. As one of the "Recently, the changes that have come from the side of master critics, G.Esemuratov, rightly said: "Slow- life have completely changed the nature of people."2 mouthed people say that Karakalpak literature has The critic managed to effectively express this issue with stopped developing in recent years... These years, the following lines of N. Toreshova: especially in poetry and prose, the struggle took place Muz. Muz. Muz... (Ice. Ice. Ice...) International Journal Of Literature And Languages 17 https://theusajournals.com/index.php/ijll International Journal Of Literature And Languages (ISSN: 2771-2834) Maǵan tutqan gúlleri de muz, (And the flowers they Óldi hújdan, iyman hám óldi, (Dead conscience, and gave me were frozen.) faith) Maǵan sozǵan qolları da muz. (His hands are frozen as Bilmedim kim qay jerge kómdi. (I don't know where they reach out to me.) they buried it) ٭٭ This really sounds like a real "conscience call." This Qattı tońdım, (I was frozen,) direction is continued in the article of critic J.Esenov in the form of a review of our poetry of recent years, in Qaltırawdaman. (I was trembling.) which the truthfulness of the spiritual depth of poetic Jıllılıq tappay átirapımnan... (There was no warmth art is highlighted. During this period,..."compared to around me.) other poets, I. Yusupov, Kh. Davletnazarov, B. Kúlkilerim muz... (My laughter is icy.) Genjemuratov, N. Toreshova, M. Jumanazarova, O. Satbaev, and others wrote openly and painfully, Dúnyanı qorshaǵan mına muzlıqtan, (From this glacier without honestly hiding the difficulties and spiritual that surrounds the world,) and moral contradictions of the years of market Mende muzǵa aylanbaqtaman. (I am turning into ice economics." Thus, he proves his thoughts with either.) impressive examples taken from the poetic works of Indeed, as the critic says, the poet himself and the the poets whose names are given. For example, from lyrical hero "seek sorrowful, like-minded people to A. Ajiniyazov: share what they have le