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The poetic significance of landscape lyrics in eastern classical literature

PAGE NO. - · Jumanova Shaxnoza Ikromjonovna

American Journal of Philological Sciences · 05 · 2025

Аннотация

This article analyzes the poetic significance of landscape lyrics in classical Eastern literature. The artistic depiction of natural landscapes is not limited to providing aesthetic pleasure, but is also revealed to be inextricably linked with human experiences, philosophical views, and the spiritual life of society. The article highlights the role of the depiction of nature in enriching the inner world of lyrics, ensuring imagery and spiritual and compositional integrity in the works of poets such as Alisher Navoi, Babur, Sakkoki, Huvaido, Ogahiy and Furqat. Also, scientific and theoretical considerations are made about the use of landscape lyrics as a means of symbolic expression in classical Eastern literature and its influence on the development of poetic thought. Keywords: Classical Eastern literature, landscape lyrics, poetic significance, artistic depiction, aesthetic interpretation. Second, images of nature have a deep symbolic Introduction: The XV verse spring hymn in Yusuf Hos meaning and are closely related to philosophical, Hajib’s epic poem "Kutadgu Bilig", considered the first spiritual, and emotional themes. In classical literature, example of written literature, is evidence that beautiful the landscape is not just a scene, but an active detail in examples of landscape were created in ancient Turkic expressing human experiences, especially love, divinity, literature. “Yusuf Hos Hajib "transfers and connects this and the human spirit. Classical artists poetically change, awakening, and revival in nature to the fate of expressed their artistic and aesthetic ideas about being, the Turkish people, and puts forward the idea that this beauty, and divinity through nature through complex awakening, this change is the awakening of the Turkish images. people, its flourishing.” [1.158] The ghazals of classical poets are mainly divided into The poets who wrote in the Turkic language in the first romantic, oriphonic (i.e., religious-mystical), and half of the 15th century made a worthy contribution to landscape ghazals, depending on the scope of the the enrichment of Uzbek literature. Although the works subject. In ghazals depicting natural landscapes, the of poets of this period, such as Lutfiy, Haydar Khorezm, landscape of space and time is artistically interpreted Sakkokiy, Durbek, Atoyi and others, are close to each without unnecessary symbols and allusions. In ghazals other, each of them is valuable for having its own belonging to such themes, the seasons (spring, autumn, ideological concept and renewing poetic findings and winter, summer), flora and fauna, historical landscapes poetic arts. Although the artistic details, images, poetic are depicted, and expressed through poetic arts such as arts (especially allegories) used by these contemporary metaphors, beautiful analysis, and diagnosis. In the poets seem very close to each other, each of them is works of Khorezm, Haydar Khorezm, Sakkoki, Atoi, distinguished by its individuality. In the works of our Lutfi, Navoi, Babur, Mashrab, Huvaido, Uvaisi, Munis, poets listed above, we can see landscape elements in Nodirabegim, Amiri, Ogahi, Kamil Khorezm and other almost every ghazal. classical artists, the elements of nature took an active In classical literature, the depiction of natural part in creating images and poetic expression. landscapes has two meanings and content. First, the Navoi scholar Aftondil Erkinov, in his study “Navoi - a depiction of natural elements served to create Master of Landscape” revealed Navoi's skill in creating beautiful artistic works and enhance poetic appeal. American Journal Of Philological Sciences 60 https://theusajournals.com/index.php/ajps American Journal Of Philological Sciences (ISSN – 2771-2273) landscapes using the example of the epic poem “Saddi skill in reflecting it. “A person with an unspoiled Iskandariy”. [2] The author divided the work into four aesthetic sense can fully enjoy nature, and will not find categories: “winter landscape”, “spring landscape”, flaws in its beauty.” [7.58] “India. Nigor forest”, “Journey to the ocean”, and Considering the fact that poetic arts enhance the studied the importance of the landscapes used by artistry of poetry and serve to give lyrical expression a Navoi in the ideological content of the work and the deeply moving tone, we can observe the importance of poet’s skill in the field of nature depiction. We also find natural elements as details. Natural elements can be descriptions of the nature of certain regions in Navoi’s the main details in the creation of poetic arts. In epics. The relationship between nature and society particular, it is difficult to imagine such things as plays an important role in the works of Alisher Navoi. beautiful analysis, metaphor, simile, and diagnosis The poet’s “depiction of winter and spring contains without natural elements. It should be noted here that verses of complex construction. The existing complex in Eastern poetic thought, the fou

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Узбекистан
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Classical Eastern literature, landscape lyrics, poetic significance, artistic depiction, aesthetic
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