The influence of improvision on the formation of world dramaturgy

Аннотация

The influence of improvisation on the emergence of world drama. In the history of culture and literature of the peoples of the world, the sources of the emergence of art forms based on the method of syncretism have been scientifically and theoretically proven. Keywords: Fiction, acting, choreography, syncretism, improvisation, drama, theatre, theory, comedy, tragedy, image. forms of such traditions can be found in the history of Introduction: In society, the spiritual world of humanity ancient Greek literature and in the literature of other and art forms (artistic literature, music, theater, peoples. The necessities of improvisation in human painting, choreography, architecture) are of society, its history of origin, development and history paramount importance in its cultural life, their role in of influence, stages of formation, as well as its shaping the national-spiritual culture and spiritual theoretical significance, the first ideas about consciousness, aesthetic sensibility, worldview of improvisational phenomena in all forms of art are human society is one of the key social phenomena. The found in the works of Socrates, Plato and Aristotle. In emergence of these art forms dates back thousands of ancient Greece, the theory of imitation, developed by years. In the early periods, it can be seen that the Socrates, Plato, and Aristotle, is also associated with culture and literature of the peoples of the world improvisation. developed in the early periods of history through a syncretic method, without separating art forms from P.P. Blonsky, M.M. Baktin, A.R. Luria, V.Y. Korovina and each other. Therefore, the combination of the arts of other scientists studied the improvisational speech (artistic literature), music (music), movement phenomena (properties) of speech and language (artistic skill) and play (choreography) is called development. And in the works of M.T. Ciceron, M.V. syncretism [1:351]. This is manifested, firstly, in the Lomonosov, D. Karnegi, M. Mamardashvili, important dominance of oral literature, if we define it as a period aspects (role) of improvisation in the art of oratory are when science and technology, written literature and expressed. Poets and writers such as M. literary culture were not yet developed in the early Montaigne, I.V. Gete, O. Balzac, A.S. Pushkin, N.V. periods of human society. Therefore, a work of art or Gogol, I.A. Goncharov, L.N. Tolstoy, V.V. Mayakovsky, art forms were created orally, which became a literary and A.T. Tvardovsky highly valued improvisational tradition that left a deep mark in the life of society of literary phenomena in the process of poetic (literary) that time and was forever preserved in the memory of creation. At the same time, D. Dido, K.S. Stanislavsky, the people. During these periods, when the creator and V.E. Meyerhold, E. B. Vakhtangov, A. E. Tairov, V.A. performer performed a work of art, the phenomenon Sherbakov, A. Gladkov, M. L. Rakhels, B. A. Matanov, P. of combining words and music (music) in the creation N. Berkov, N. I. Lvov, V. E. Guseva expressed their of a work of art, the art of entering the image of the theoretical views on improvisational phenomena in folk hero through movement (acting) was preserved where dramas. the power of words and music was insufficient in the The improvisational method plays a role as the most creation of an image in the work. The most ancient important tradition in theatrical art of staging tragic, American Journal Of Philological Sciences 89 https://theusajournals.com/index.php/ajps American Journal Of Philological Sciences (ISSN – 2771-2273) comedic and musical dramas. Improvisation in of individual games has been formed in accordance theatrical art b.c. It was an important literary with the development of movement traits, capabilities phenomenon for the stage, which appeared in the 5th and skills in the art of play. In Greece, Rome, Egypt, century. The method of improvisation prevails in the China, and India, which were centers of ancient culture, ancient theater, in the Middle Ages (late 16th - early the culture of performing arts reached its peak. As a 17th centuries), especially in the stage works "Comedy result of such a historical process, the phenomenon of of Masks," developed in Italy. The comedy of masks has improvisation emerged. Improvisational talent has become a type of Italian folk theater where plays are been scientifically proven as a literary phenomenon staged according to the script, which includes a short that arises from natural talent and creative experiences scheme of the play. This theater, with the participation of creators and performers. At the same time, creators of masked actors, is sometimes performed on the and performers studied the methodology and streets in open areas. In Italian open-air theater, techniques of each other's performance techniques in masked performers such as Bregello, Pantalone, Dr. the creative and performance process. They were Bolondze, Truffal