THE ORIGIN AND HISTORY OF THE CIRCLE

Аннотация

This article discusses the origin, history and development of the circle. Keywords: music, circle, culture, technique, event. The hoop is one of the ancient musical instruments of Central Asia. According to historical sources, its origin dates back several thousand years. Researchers say that the first examples of the hoop existed among the ancient Turkic and Persian peoples. Various forms of the hoop are also found in the ancient legends and historical manuscripts of the peoples of Central Asia. In ancient times, people used this instrument to express their feelings and used it in festive and war ceremonies. The hoop has always occupied a permanent place in Uzbek folk music culture. The skill of hoop players was especially appreciated at various events such as weddings, holidays, and folk festivals. The unique sound and strong rhythmic qualities of the hoop have always been appreciated among the people. Structure of the hoop The hoop has a simple but unique structure. It consists of the main parts - the hoop ring and the leather surface. The hoop ring is usually made of wood, and the surface is covered with high-quality animal skin. Modern hoops use synthetic materials instead of leather, which helps to improve the sound quality of the instrument. Metal rings are placed inside the hoop. These rings help to produce different noises and rhythmic sounds when the hoop is played. Their number and placement create different shapes of the instrument and also affect the style of playing. For example, some hoops have more metal rings, which increases the ringing sound, while others have fewer, which produces a much softer sound. Methods of playing the hoop The technique of playing the hoop is also unique and complex. It is mainly played by the fingers of the right hand. The fingers are used to create different rhythms by hitting the surface of the hoop with different forces and speeds. The art of playing the hoop is taught by master hoop players. They can captivate listeners with their skills. 341 NEW RENAISSANCE 2025 JANUARY INTERNATIONAL SCIENTIFIC AND PRACTICAL CONFERENCE VOLUME 2 | ISSUE 1 One of the playing methods is the “catching” technique, in which a soft sound is obtained by lightly hitting the surface of the hoop with the fingers. In addition, there is a “pressing” method, in which the fingers hit the surface of the hoop harder, creating a strong and lively rhythm. During the playing of the hoop, various rhythmic sequences characteristic of Uzbek folk songs are performed. For example, in such famous folk songs as “Sarvinoz” and “Lazgi”, the role of the hoop is very large, and through them the lively feeling of the melodies increases. The role of the hoop in folk culture The hoop is of particular importance among Uzbek folk musical instruments. Its sound captivates the hearts of listeners and reflects the spiritual world of the Uzbek people. At weddings and holidays, as well as at folk festivals, the doira is used as the main instrument. The doira has a unifying force among the people, and the melodies performed on it reflect the lifestyle, traditions and values of the Uzbek people. The doira is an integral part of Uzbek folk music ensembles. In the ensemble, it is used together with other instruments, giving each of them its own rhythmic additions. Often, the doira is played together with instruments such as clappers, flutes, and trumpets, making folk music lively and vibrant. The doira is still appreciated today. It is used not only at traditional events, but also in modern musical genres. Young performers are experimenting with new rhythms and techniques using the doira. This further enriches the art of the doira and increases its popularity among the new generation.