THE PLACE OF THE WORK OF ABDULLA ARIPOV IN THE DEVELOPMENT OF UZBEKISTAN LITERATURE

Аннотация

The article highlights the issues of social everyday life in the poems of Abdulla Oripov, as well as the unique aspects of symbolism and figurative expression in his fruitful work created during the years of independence. The article, which examines Abdulla Oripov's mastery of the word in his poetic works, his technique of deeply conveying the essence of images, provides an analytical approach to several poems associated with the personality of the poet. Keywords: Psychological image, lyrical object, lyrical experience, poem about my first love, poetry, genre, poetics. МЕСТО ТВОРЧЕСТВА АБДУЛЛЫ АРИПОВА В РАЗВИТИИ ЛИТЕРАТУРЫ УЗБЕКИСТАНА Аннотация. В статье освещаются вопросы социальной повседневности в стихах Абдуллы Орипова, а также уникальные аспекты символики и образного выражения в его плодотворном творчестве, созданном в годы независимости. В статье, в которой рассматривается мастерство Абдуллы Орипова в использовании слова в его поэтических произведениях, его техника глубокой передачи сути образов, дается аналитический подход к нескольким стихотворениям, связанным с личностью поэта. Ключевые слова: Психологический образ, лирический объект, лирическое переживание, стихотворение о моей первой любви, поэзия, жанр, поэтика. Speaking about the peculiarities of Abdulla Oripov's poetry, it is permissible for us to dwell on one more quality. This trait is an artifact in the poems of the poet. "The lyrical train can only be compared with the background," said V.G. Belinsky. Again, he also said a great idea about how the word disappears, feels and becomes a musical echo. The factor that turns the train into a "sense and musical echo", this is the fiction of the poem. Artistry is beauty, the beauty of poetic thought, permeated with feelings. "Beauty itself is an important idea. Analysis of this beauty as-is is equal to catching a free fish in the river, cutting it on a knife, checking its members and again putting it in the water. Fish bring a person's air only when it is washed in the water. 388 ResearchBib IF - 11.01, ISSN: 3030-3753, Valume 2 Issue 1 True, there are not even few people who prefer to eat fish in the water. Such senseless people do not see not only the beauty of art, but also the beauty of life. Rest, forgive the day" - writes the well-known Mahkam Mahmudov. The artistry, firmly stated in the phrases of Mahkam Mahmudov is "to feel the endless paint of landscapes in the human soul". The poet creates a feeling from the word, through feelings, and with the paint of feelings he paints the landscapes of the human soul. Mahkam Makhmudov writes: "without the slightest denial of the great power of the word, we must say that the feeling is that if the river, the word is its edge, the feeling is if the parivash is a girl, the word is its picture, the feeling is if it is a flower, the word is the paint of the artist. Jam from walnuts is his string, jam from flax is his juice. Desire from the photo is his master, desire parterre himself from the paints". From his ambiguous thoughts it is understood that even the original Murad of poetry is to influence human feelings. But only artistry in poetry affects human feelings. The false thought itself does not affect the human soul, its feelings. And poetry differs from other arts in its power to influence emotions. Candidate of philological Sciences, Associate Professor Muhammadjon Madgoziev wrote an answer to an amateur who wrote a letter "what is artistry, if you understand me": "ask, as long as the bees have learned from whom to collect honey, as long as the flowers received advice about the color opening of the color and the spreading? Artistry is just as vital and just as reason"[46]. The power of Abdulla Oripov's poetry is also in his high level artistry. But in his poems, artistry is not created through artificial ingenuity, extreme analogies, irrational animations. Every expression of it, every tashbeh our is the same truth. Here are such examples in his poem "Bahor": Қайдадир шоира куйлайди беҳол, Менинг ҳам ой каби кўнглим яримта. “Яримта кўнгил” and “ярим ой” – how truthful and beautiful tashbeh. If half a dream was not likened to half a month, then simply the thought itself, that is, darak would remain a sentence. “ярим ой” is a factor that gives eternity to the true artistry and poet poetry. One of the long-known and famous poems of the poet is the poem "Nay". The artistry in it is life, the truth itself. It is also true that the Reed "lived durkun in the jungles", people cut off his body with a knife, carved his eyes and bosomand this, as if not done, put his lips in the throat and blew it. It is also true that salinity, unable to endure the pain, sighed, and people put the cane to tears and made it enjoyable. There is also a truly figurative truth in this outward appearance. This is also the case when a person feels the need to sing his own sufferings, making a flute from the cane, from which he stings and chokes from the heart-wrenching pain. Such i