"NATIONAL MUSIC ART AND THE YOUNGER GENERATION: TEACHING NATIONAL HERITAGE"

Аннотация

INTRODUCTION after the years of independence, has played an Music art is an endless source of aesthetic taste and important role in fulfilling these tasks. The musical emotional perception. It is a captivating world that culture of the Uzbek people has an ancient history. captures the heart and mind of humans. For this The development of civilization between the two reason, a person must always strive for beauty and rivers has seen the evolution of classical music, follow its rules in daily life. The musical traditions, traditional instrumental music, folk composition, events, and local ceremonies in Uzbekistan are and amateur music heritage, with various forms of deeply shaped by the social and historical performance blending into each other over time. development of the Uzbek people, their ethnopsychological characteristics, life METHODS experiences, and social struggles, and have been This rich musical heritage is still a vital part of our passed down through generations over the spiritual culture today. Historically, the centuries. development of music culture and performance For this reason, young people learn virtues such as arts in the land of Great Turan began in ancient love for the homeland, compassion, etiquette, times. Great Eastern scholars such as Muhammad morality, and educational-cultural upbringing. The al-Khwarizmi, Abu Nasr al-Farabi, Ahmad al- adoption of essential normative-legal documents Fergani, Avicenna, Pahlavan Mahmud, Mirzo aimed at developing music education, especially Ulugbek, Alisher Navoi, Zahiriddin Muhammad https://www.theamericanjournals.com/index.php/tajiir 231 THE USA JOURNALS THE AMERICAN JOURNAL OF INTERDISCIPLINARY INNOVATIONS AND RESEARCH (ISSN- 2642-7478) VOLUME 06 ISSUE11 Babur, Abdurahman Jami, Najmiddin Kavkabi, and genres continue to evolve and expand. The Darvish Ali Changiy have contributed valuable traditions of "ustoz-shogird" (teacher-student) insights into music theory, performance, and the learning have played an essential role in shaping structure of musical instruments in their writings. the music performance traditions in our region. The system of teaching maqom performance The formation of this musical heritage is linked to through "ustoz-shogird" remains central to the invention and perfection of musical transmitting this heritage. instruments. The literary scholar N. Mallaev, in his work "History of Uzbek Literature," states that The apprenticeship system, where each musician music in our region has developed alongside works under the guidance of a teacher, has been artistic literature. During the 10th-12th centuries, fundamental in the transmission of musical instruments such as the tambur, rubab, dutar, knowledge. This tradition has been preserved and qanun, and ney became widely distributed. developed over the years. Archaeological excavations in historical cities of