DEVELOPMENT OF NATIONAL INSTRUMENTAL PERFORMANCE TRADITIONS IN THE WORKS OF COMPOSERS

Аннотация

INTRODUCTION Music is the interpreter of the spiritual world of In the training of the new generation of musicians humans. It shapes and educates a person and singers, the full utilization of educational spiritually by influencing their emotions. Today, opportunities is being actively pursued. Of course, music plays a crucial role in uplifting the spirit of in higher music education, it is essential that people, especially the youth, directing them students learn pieces from Shashmaqam, Uzbek towards creativity and constructive work. This is national music, and compositions by Uzbek why great attention is being given to the composers with great care, mastering the development of music in our country, supporting comprehensive performance techniques under the and encouraging young talents. guidance of their teachers. In this regard, the "Maqom Performance Department" of the Yunus The musicians and singers who contribute to the Rajabi Uzbek National Music Art Institute plays a development of our national music art and present key role in implementing large-scale educational high-quality music works to our people are all tasks. well-educated in music. They have achieved these results through their musical education. Therefore, In the development of Uzbek musical culture and the attention given to music education is seen as a expanding its repertoire, the works created by significant contribution to the advancement of our composers hold special significance, and we can national music art. recognize the contribution of numerous https://www.theamericanjournals.com/index.php/tajiir 238 THE USA JOURNALS THE AMERICAN JOURNAL OF INTERDISCIPLINARY INNOVATIONS AND RESEARCH (ISSN- 2642-7478) VOLUME 06 ISSUE11 composers who have been active in this field. tradition from Bolo Bakshi Abdullahev and the Naturally, when talking about composers, it is Khorezm maqom songs from Matpano necessary to mention the great masters who have Khudoyberganov. Komiljon Otaniyozov became an made enormous contributions to the development outstanding performer of Khorezm suvoras and of our national music. Just as each region has its maqoms and created a new performance style own performance styles and schools, composers based on Khorezm dastan songs. As a composer, too have emerged from different regions. his works such as “Salom, Senga Khorezmdan,” “Muborak,” “Vatan,” “Olqish,” “Temiryo'l,” and The Khorezm region, with its unique performance “Khorezm” are known for their popularity and and singing traditions, stands out in Uzbek music. folk-oriented nature. The region has a rich collection of various musical genres, such as maqom performance, dastan In the Fergana-Tashkent maqom performance, genres, and popular folk performances. The there are several important schools of following musicians and composers have composition, reflecting regional significance, with contributed significantly to the development of personal styles emerging during the development Khorezm music: Khudoybergan Mukhorkon, of performance practices. The large singing Matpano Ata Khudoyberganov, Safo Muganni, performance, known as “katta ashula” and maqom Madrahim Sherozi, Khojikhon, Nurmuhammad traditions, were also widely practiced in the Boltaev, Rozmat Jumaniyozov, Komiljon Fergana Valley. Otaniyozov, Bekjon Otajonov, etc. Their unique Zhorakhon Sultonov (1893–1965), People’s Artist voices and works have made a remarkable impact of Uzbekistan, was a skilled singer, musician, and on the evolution of music. composer who contributed significantly to the Khojikhon Boltaev (1902–1987) was a development of Uzbek national music. He was distinguished artist of Uzbekistan and a knowledgeable in various genres of folk music, representative of the Khorezm maqom school. He including "katta ashula" and “yalla.” His famous was a master of Khorezm maqoms, suvoras, and compositions such as "Bolmasa," "Guluzorim other large musical pieces, known for his resonant Qani," and “Naylayin” are examples of his unique and pleasant voice. His ability to control and performance style. distribute vocal power, rise through the Tukhtasin Jalilov (1896–1966) was a highly crescendos, and sustain them is a distinctive respected artist in Uzbekistan, famous for his feature of his style. The maqoms he performed, songs such as "Aziz Vatandim," "Ey, Hur including Buzruk, Segoh, and other pieces, were Vatandim," "Toylar Muborak," and "Kokiling." He recorded by the Uzbekistan Radio. Khojikhon was also contributed to the development of musical a mentor to many other artists, including Nazira drama in Uzbekistan. His famous stage works Yusupova, Kuvondiq Iskandarov, and Rozimat include “Halima,” “Ortoqalar,” “Gulsara,” Jumaniyozov. “Nurkhon,” and “Tohir va Zuhra.” Komiljon Otaniyozov (1917–1975), a People’s Mahmudjon Uzoqov (1904–1963), a well-known Artist of Uzbekistan, Turkmenistan, and singer, created a personal performance style Karakalpakstan, was a singer, musician, and within Uzbek music and collaborate