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РецензированоRU2024

Этапы развития народной музыки, народной музыки и эпоса

IJTIMOIY FANLAR · Xushbaxtova Dilnoza Jaylov qizi

Предпринимательства и педагогика · 2024

Аннотация

Through this article, we can see how our ancient epics were formed, and the contribution of our ancestors who were interested in music in reaching us. As a result of the high service of our Bakhshis, we will know that our epics have arrived more polished. We understand that there is every possibility for the art of bakshiki to be appreciated and improved even today. We can see that our sagas became more attractive by word of mouth based on the tradition of teacher-disciple.

Доказательный фрагмент

«Through this article, we can see how our ancient epics were formed, and the contribution of our ancestors who were interested in music in reaching us.»

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Демо-превью

Through this article, we can see how our ancient epics were formed, and the contribution of our ancestors who were interested in music in reaching us. Полный текст публикации CiteX не хранит — доступ к первоисточнику открывается по DOI согласно лицензии издателя и выбранному плану.

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Тип
Журнал
Страна
Узбекистан
Ключевые слова
Abstract. Through this article, we can see how our, Ayritom, Etnografik, дутор, “jahr”, эпические школы, dostonchilik maktablari, “Go‘ro‘g‘li”, epic schools, "Gorogli", Этнографический, труба, «яр», nay, dutor, flute, "jahr", surnay, «Алпомиш», Alpomish", Ethnographic, барабан, drum, Бахшилик, trumpet, Bakhshilik, baxshichilik, do‘mbira, флейта, Айритом, «Гёроглы», “Alpomish”
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