Принципы обновления узбекского сказительства XXI века (на примере рассказов Исаджана Cултана)

Аннотация

Ключевые слова: B этой статье рассказы Исаджана Султана посредством художественное анализа раскрыты принципы обновления узбекской произведение, сказочности XXI века, а также рассказывается о характере узбекская сказка, рассказов, мастерстве писателя, образах. содержание и идея художественного произведения, анализ и интерпретация, социальная трагедия, писательское мастерство. First of all, it is necessary to distinguish between what is described in a work of art and what is artistically perceived. Often something completely different is perceived without the fact that something else is depicted in the work. Accordingly, the content of a work of art is understood from the point of view of what is described and perceived in it. The content of a work of art cannot be spoken. Even the author cannot do it, because "it is impossible to jump into the same river twice. In practice, when it is said, "Speak the content," usually one aspect of it, or rather one important element – the fabula that organizes the content – is spoken. Interpretation means to interpret a work of art, to perceive its content and essence, its artistic concept. More specifically, interpretation is to transform the "language of images" in a work of art into the "language of logic," to understand and explain the content expressed through the medium of images. Unlike an ordinary reader, a literary critic relies on analysis to interpret a work of art, and his interpretation is also considered scientific because it is based on analysis. The story of "Abdujabbor". The story is "a lonely shed appears flowing in the bosom of desolate fields as you leave the village and turn right from the highway..." begins. The story is told in the language of Abdujabor (which we can find out at the end of the story: “... – What is your name, where do you come from, O child of man? The chek-limitless anguish in the Light universe, the throats I see, the pure joys I have, the limmo-lim with the Armenians, but I will answer like this: – From the bright world... Ismim-Abdujabbor...). [2;224] Throughout the story, there are turns, changes not only in the life, fate or social status of the main character, but also in his psyche. Abdujabbor's state of mind, his thoughts are simple, in place, perfectly expressed. In particular, "everyone will have their own shrines. Dear memories awaken there", "here I have another shrine. I did not know... Autumn seems to reign in the heart...", "Dreams flew as far away as don-dun-picking birds. Two of them were food for people who looked like a steppe cat...", "I wonder how many I am today? I will talk to someone, how much I will try to make fists...but I'm not! My soul, my heart is not in any of this. I will solve everyday affairs with my mind, and my soul, who knows, will tenderize somewhere?" [2;224-231]. While one reader interprets the story of "Abdujabbor" as an expression of the thoughts of an individual named Abdujabbor, another reader interprets the old willow tree as having similarities with the life of our protagonist. 215 Жамият ва инновациялар – Общество и инновации – Society and innovations Special Issue – 06 (2024) / ISSN 2181-1415 We will observe a vivid expression of this in the research of Isajan Sultan, who makes a significant contribution to the renewed artistic thinking. The theme of man and nature occupies an important place in Adib's work, and he also skillfully uses the landscape in his depictions. The image of nature in the stories served as the main part of the work in the development of events. "Isajon imposes symbolism on natural phenomena and landscapes. The image of nature in his works is not just an additional medium that reflects the spirit of the hero, but a goal. In the language of natural phenomena, he tries to reflect the wisdom of this universe as far as the human imagination can reach. Or rather, the writer can describe the phenomena of nature in such a meaningful and impressive way that we can read these scenes and feel the will of Allah, who is in control of the whole being," says literary critic Rahimjon Rahmat in his research. The stories of Isajan Sultan are read with a special mood. The landscape images created by Adib are symbolic-philosophical in nature. The writer was also able to assign a special poetic task to natural phenomena. Especially these passages in the story "Abdujabbor" are a proof of our word: I carved after yesterday's rain-the pits were flooded with water. In puddles, the chalabulut sky is reflected. No one... The Sarsar breeze of the steppe narrates from the memory of those who fell into the ear and howled and passed through the world.; I did not know...Autumn seems to reign in the heart... The dreams were flown as far away as the don-dune-picking birds. Two of them were fodder for people who looked like a steppe cat.; When I called myself a tree, on my branches the birds of the universe went away, flying their polapons. How long has it been left for the Ajal saw to come and sa