История методики преподавания композиции (античность)

Аннотация

Ключевые слова: В статье рассмотрены размышления о композиции в композиция, глубокой древности и ее преподавании в школах древнегреческая школа, государств Древнего мира. В целях освещения темы статьи художник, были эффективно использованы научные источники религия, Египет, зарубежных педагогов-искусствоведов по композиции пирамиды, периода Древнего мира. Результаты, полученные из статьи, предмет. могут быть использованы при обучении будущих учителей изобразительного искусства с целью полировки их знаний по композиции. Composition is one of the most important elements of the visual art language, and language always expresses the existing objective reality. Therefore, the composition requires: the subject of expression – the artist who knows this language, and the object of expression-the theme, embodied through the idea and idea of the artist in the content. The theme is a determining factor that reflects the artist’s position, his worldview and view of the world around him through the prism of sensations and experiences of certain phenomena and events. The result of a harmonious combination and connection of these categories in a single creative process. the process is composition. On the one hand, it is a purely constructive construction of the form of an image (image) on the plane of a picture using material visual components: object-spatial, temporal, structural, coloristic, etc.d., on the other hand, it means giving this image a spiritual meaning, essence, and filling it with content using other components – ideological, semantic, meaningful, emotional, etc.d. In this definition, we see several aspects of defining the essence of a composition: on the one hand, it is the structure, form, and image, It is the most complete expression of the idea and connects the author’s idea and content, and on the other hand, it is the process of optimal choice of techniques, means and methods of activity for creating and arranging a harmonious, expressive image within the canvas plane. An expressive combination of form and content into a single whole – an artistic image consisting of many components of visual components-is also a composition, it is the result of the creative implementation of the author’s plan, which is a reflection and generalization of objective laws and relationships of objects, phenomena and events the real world, in which the location and relationship of these objects are determined by the Composition in the visual arts and. Yu. Rudnev has a certain meaning and purpose. This is also the result of the work of all the vital and spiritual forces of the artist: mind, will, sensations, perception, observation, imagination, thinking, memory, representation, emotions and feelings that contribute to the most productive knowledge of the surrounding world and the qualitative development of the individual. All this gives us a real opportunity to imagine what an essential role composition plays for the development of fine art, for the development of personality and for the development of artists ‘creativity’, which, in turn, determines the importance of correctly setting up the organization of composition training in various educational institutions, both in the system of general, professional, and additional education. Therefore, the relevance of studying composition as the most important category of visual art is beyond doubt. Although the composition is relatively 284 Жамият ва инновациялар – Общество и инновации – Society and innovations Special Issue – 04 (2022) / ISSN 2181-1415 poorly developed in theoretical works on fine arts, it seems that it is precisely because of a misunderstanding of its importance and significance, and in this connection, many underestimate its role as an independent one. disciplines. Meanwhile, a work of any kind of art is a composition and is built according to its laws, principles and rules. The essential basis of the composition is made up of two unifying principles – external and internal: – external, purely artisanal – this is the practical creation (drawing) of the form of the composition, i.e.e. its structures, constructions by means of artistic expressiveness in a single combination of the main and secondary, combined with color, rhythm, balance of masses, harmony of proportions, contrast, etc.p.- internal – this is a figurative transfer of the artist’s thoughts and ideas in a form filled with a deep psychological meaning (content) that excites and convinces the viewer. The union of these two principles is the essence of composition. Composition in the visual arts and. Yu. Rudnev. Composition is inherent in all types of art. The compositional foundations that underlie the universe are the basis for creating the composition of any work of art. Harmony, integrity, symmetry, and rhythm inherent in the natural world also underlie any human creation – architectural structures, decorative objects, literary and musical works, sculptures, paintings, theater productions, etc.d.