К содержанию
РецензированоEN2021

ARTISTIC INTERPRETATION OF THE IMAGE OF JESUS CHRIST IN THEDIVAN “THE WILDERS OF END” BY ALISHER NAVOI

Kobilov U. U.

International Journal Of Literature And Languages · 03 · 2021

Аннотация

This article is devoted to the problem of interpreting the image of Jesus Christ (Iso Masih) in the lyric couch of the “Curiosity of the End” (“Navodir un-nixoya”) by Alisher Navoi. It analyzes the motif of the revival depicted through the symbolic image of Jesus in the poet's lyrics. However, attention is paid to the image of the image of Christ, which was considered the universal ideas of the poet and humanistic views. KEYWORDS Classical poetry, gazelle genre, lyrical divan, artistic image, motive of revival, poetic function, divine miracle, artistic interpretation.

Доказательный фрагмент

«This article is devoted to the problem of interpreting the image of Jesus Christ (Iso Masih) in the lyric couch of the “Curiosity of the End” (“Navodir un-nixoya”) by Alisher Navoi.»

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Демо-превью

This article is devoted to the problem of interpreting the image of Jesus Christ (Iso Masih) in the lyric couch of the “Curiosity of the End” (“Navodir un-nixoya”) by Alisher Navoi. Полный текст публикации CiteX не хранит — доступ к первоисточнику открывается по DOI согласно лицензии издателя и выбранному плану.

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Тип
Журнал
Страна
Узбекистан
Ключевые слова
Classical poetry, gazelle genre, lyrical divan, artistic image, motive of revival, poetic function, divine miracle, artistic
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