ПРОЕКТИРОВАНИЕ ОТДЕЛЬНОГО ПРЕДМЕТА, АНСАМБЛЯ И КОМПЛЕКТА.

Аннотация

This article discusses the need to design uniform items in the costume design environment Key words: costume, design, assortment, ensemble, design, object, color. ПРОЕКТИРОВАНИЕ ОТДЕЛЬНОГО ПРЕДМЕТА, АНСАМБЛЯ И КОМПЛЕКТА. Аннотация. В данной статье рассматривается необходимость проектирования предметов униформы в среде дизайна костюма. Ключевые слова: костюм, дизайн, ассортимент, ансамбль, дизайн, предмет, цвет. Costume design is one of the solutions to the product environment, that is, designing a costume. The object of costume design can be a single item, a set, an ensemble and a collection. The necessity of designing uniform items of various assortments was due to the following reasons: - the narrow specialization of the enterprise for the production of sewing products (outerwear, underwear, light shirts); - the modern consumer organizes his wardrobe mainly from individual items that are compatible with each other; - democratization of modern fashion, it is recommended to choose multi-functional clothes and consumer free clothes in fashion; - the psychological type of the modern consumer requires the ability to adapt to the times due to the individuality, rapid changes in lifestyle, and the ability to quickly change the appearance according to the situation. Usually, industrial enterprises design individual items that are produced in large or small series. The design of the product is aimed at the typical size of the consumer, is drawn according to the general construction method, and is supposed to meet popular demands. When single items are designed, their stylistic solutions, materials, color, texture, compositional solutions, etc. compatibility with each other should be assumed, because the consumer builds a set of them according to his will. One-of-a-kind items allow you to choose items according to your taste and create a unique artistic image. Ensemble design. Ensemble (fr. ensemble - together, together) - created for a certain artistic idea, taking into account the interdependence of its elements, the subordination of clothes and accessories to each other, It is a collection of individual objects that reflect an artistic image created for a person and a purpose. The ensemble implies the unity of the parts of the suit, their silhouette, proportions, color and decoration, in terms of compatibility and organic interdependence. It is a whole, consisting of clothes, shoes, hats, hairstyles, decorations, accessories and make-up, and does not expect any changes. Adding or removing any element will destroy its integrity. The ensemble is multi-layered, all its parts can be worn together. They are interconnected and subordinate to each other. 5 95 International scientific journal ISSN: 2181-3906 «MODERN SCIENCE АND RESEARCH» 2024 VOLUME 3 / ISSUE 3 / UIF:8.2 / MODERNSCIENCE.UZ Completeness and completeness are always an aesthetic criterion in a modern suit. The color, pattern, decoration, etc. of all parts of a suit created for a specific purpose. properties tend to match each other. For example, in England in the 16th century, the sleeves and petticoats of court ladies' shirts were made of the same fabric. However, the pure ensemble was built in the "Modem" period (1890-1900) at the end of the 19th - beginning of the 20th century. In the 20th century, the ensemble became a special "peak" for couturiers. They created a completely custom suit. In traditional modeling, the design of a clothing ensemble is considered the highest point of artistic expression. However, during the 20th century, the idea of the ensemble changed. For example, in the 1920s. the solution of the ensemble implies the unity of color in the suit: the hat, gloves, shoes, bag, umbrella, etc. in the color tone of the shirt. is selected; the color of the shirt decoration is repeated in the color of the accessory. 1930s. Such extravagance was not possible in the conditions of the "Great Recession", when each dress had a special hat, shoes, etc. was required. In this period, the wholeness of the suit was solved by means of a unit of accessories: the bag, shoes, gloves, and hat should be of the same color, but this gamut could be worn with any shirt. For example, black shoes, hat and gloves could be worn with a light colored shirt. Even during the Second World War, the ensemble was preserved, for example, a turban was used to make a blouse or a bag. The real triumph of the ensemble began with the "New look" era. K.Dior redefined the exact rules of good taste and the elegant female figure. The dress had to be worn with an appropriate hat, gloves, bag and jewelry. According to K. Dioming, "a woman without a hat is not fully dressed." 1960s. The ensemble is also preserved in fashion. For example, in the fashions of A. Courrej, gloves and hats are often made of the same fabric. However, from the second half of the 1960s, street fashion, especially in youth subcultures, began to abandon the ensemble. For example, the hippies freely mixed different s