FUNDAMENTALS OF CREATIVE LABORATORY

Аннотация

This article reveals the process of artistic creation, the emergence of a literary work as a creative intention, and the characteristics of artistic interpretation are directly related to the personality of the creator, as a special literary phenomenon, as one of the leading features of Uzbek literary studies in the period of independence. It is based on the writer’s creative laboratory based on the ideological-emotional attitude of the author to the events described in the literary work , the selection of the system of images, his poetic perception of the problem and his artistic judgment through them. INTRODUCTION the basis of the creative laboratory, creative “I”, the structure of its views, the comprehensive The consistent improvement of the understanding and explanation of historical-individual development of literary and aesthetic views in world issues such as the aesthetics of appropriation which are literature is the basis for the emergence of scientific modern literary studies. Therefore, the research of the concepts related to the gradual development of artistic problem of artistic idea, creative imagination and thinking. Therefore, the study of the uniqueness of the aesthetic interpretation becomes relevant. artistic world, a critical approach to it is bound to LITERATURE REVIEW benefit the development of the literature of every nation. Therefore, it is necessary to examine In world literary studies, there are a lot of types scientifically the process of literary creativity, to study of theoretical literature that cover the main aspects of the factors related to the birth and materialization of the approach to the artistic work and the scientific creative intention, theoretical justification is research methods that help to understand the reality. important.to show the peculiarities of artistic-aesthetic Sociologists of the world’s literature, philosopher- interpretation, and the problems related to the aesthetes: O.Kont, I.Ten, A.N.Pipin, A.N.Sakulins; manifestation of the creative personality. Sent-Byov, biographical of A.Moruas; E.Enneken, World literature, the process of artistic V.Vund, E.Elster, E.Bertram, E.Grosse, creation, the author’s ideological-emotional attitude to A.A.Potebnya, D.N.Ovsyanko-Kulikovskiy, the described events, the selection of the system of A.G.Grofed, L.S.Vigotskiy, M.M.Baxtinlars images and the poetic perception of the problem psychoanalyst; formal of V.Shklovskiy, through them, the artistic judgment, aesthetic ideal, V.V.Vinogradov, V.M.Jirmunskiy, Yu.N.Tinyanov, worldview, cultural-educational level, life experience, B.V.Tomashevskiy, G.O.Vinokurs; Claude Lévi- skills, power of talent and potential, problems of Strauss, LS Vygotsky, R. Barth, Yu. Lotman, DS aesthetic interpretation, in general, specific aspects of Likhachev, M. Bakhtin's structural-semiotic the writer’s creative laboratory is studied consistently. researches, as well as Klod Levi-Stross, The creative process related to the emergence of a L.S.Vыgotskiy, R.Bart, Yu.Lotman, D.S.Lixachev, literary work was considered one of the scientific M.M.Baxtin’s many studies in hermeneutic methods directions in the literary studies of every period. In prove our opinion. The important thing is that during particular, the origin of the work from the ideological the years of independence, the interest in this type of intention and the features of artistic interpretation research increased dramatically, and the positive create the need for a deep knowledge of the literary effects following them, creative assimilation, phenomena, to determine its aesthetic tasks, and combining them with the research methods of through this to reveal the essence of the achievements traditional literary studies, and striving to attract of literary studies. Because, it allows to make national literary material were also recognized. methodological, theoretical-methodological and In particular, Charles Augustin Saint-Beauve conceptual scientific generalizations and conclusions (1804-1869) interprets the author’s biography and on the basis of the artistic-aesthetic views of the new work as a whole in his works written on the basis of era, determining its place in the history of literature on the principles of the biographical method. His scientific works “Literary portraits, critical essays” , to a certain extent. The creative product should be “Joseph Delorme’s life, poems and thoughts” , as well considered as an artistry based on the writer’s as “Literary portraits” by A. Morois , “Olympia or the personality. life of Victora Hugo”, “Honore de Balzac” , Yan The creative laboratory of the writer is created Parandovsky Studies such as “Alchemy of Words”, by various factors that stimulate the birth of a “Conversations with Goethe” by IP Eckerman, creative intention, its transformation into an artistic “Andre Morois” by F. Narkirer, “The Art of idea, and the process leading up to the appearance of Interpretation and Evaluation” by Yu.Borev, a