СОВРЕМЕННЫЕ ИСПОЛНИТЕЛЬСКИЕ ТРАДИЦИИ

Аннотация

The singer's natural ability, artistic thinking, the criterion of "newness", "modernity", arrangement of folklore samples, examples of folklore performance are discussed. Key word: modern performance, tradition, style, artistry. СОВРЕМЕННЫЕ ИСПОЛНИТЕЛЬСКИЕ ТРАДИЦИИ Аннотация. Обсуждаются природные способности певца, художественное мышление, критерии «новизны», «современности», аранжировка фольклорных образцов, примеры фольклорного исполнительства. Ключевые слова: современное исполнение, традиция, стиль, артистизм. In order to connect pop music to heritage and modern performance traditions, it is necessary to understand not only its content, but also the nature of creativity. It is necessary to understand how commonality and performance principles between heritage and contemporary national music are and what elements it has as a whole musical genre. The sense and imagination of such general traditions, that is, the artistic system, the integrity of the artistic language, and the symbols of national creativity, are important for sound engineers, soundmen, sound operators, sound directors, clip makers, and producers, in addition to arrangers. Due to the lack of these features, sometimes the fate of a talented singer, group members, especially in the hands of an arranger who has not developed a sense of nationalism, is directed against nationalism through the wrong way and ineffective creativity. The singer's natural ability, artistic thinking is "renewed" in the framework of the creative system based on the criteria of "newness", "modernity". The singer is not only an example of the art of artists of different spirit, but also the elements of nationalism and modernity, as well as the concept that prevents their integration. Every song and work created in pop music is not the product of one person's creativity. As we noted in its creation, several professions are involved, and the ideas of all participants are embodied before reaching the producer. That's why experts involved in song creation should inculcate national traditions in the song being created or train their singers based on examples of oral*professional and folklore performance. As a result of artificial imitations in Uzbek folk songs, fakeness also appears in the works created using folklore names. The reason for this is that the number of arrangers who do not understand the aesthetic function of arranging folklore samples into the pop system is increasing. Choirs arranged in a style foreign to national feeling (taken from the repertoires of pop singers of Indian, Iranian, Turkish, European and American nations) are also the product of the arrangers' creativity, and the authors of this artistic event are neither creative nor artistically dead. interconnected. As a result of this, no one notices where the part of the song that belongs to the people and the nation is in the songs that are brought to the listener's attention. In general, when it comes to nationality, it is the mentality of the nation, its inner world. It was studied in relation to 6 15 International scientific journal ISSN: 2181-3906 «MODERN SCIENCE АND RESEARCH» 2023 VOLUME 2 / ISSUE 12 / UIF:8.2 / MODERNSCIENCE.UZ the art form that embodies the world of thought and the way of life. After all, the musical system formed in the shell of national traditions and its existing styles It is not possible to solve the problem by forcefully grafting foreign traditions to it instead of absorbing it. In the case of piracy, there were many attempts to present themselves as Totlisas, Huston, Tarkan, etc., as if it wasn't enough to fill the repertoire of one or another folk singer and create a structure of "dry" melodies. This situation began to determine the creative criteria for imitators who blindly strive for popularity, regardless of the artistic quality and spiritual level of a foreign singer's song. In this case, it is not necessary to have artistic intuition and emotional idea, but to copy fruitless imitation. In the end, if the integrity of tradition and modernity, which is an important factor for pop singing, and the elements that ensure their commonality, is not ensured, any national performance will not cease to deny itself. The concept of modernity is not only the emergence of certain groups of dilctants who do not reflect the signs of nationalism, but also has a negative impact on the spiritual and spiritual world of young listeners who have not experienced the examples of national musical heritage. Of course, freedom is a convenient opportunity for amateurs to learn what behavior and style of dress from a foreign singer. His "personal style" is not reflected in the national art system, but also shows the signs of seeing national art "in his own system". The filling of amateurism with artistic and artificial technical process, in turn, caused certain demands and negative conditions. The hoarseness of the amateur singer's voice and shortness of breath, as mentioned, began to be correct