This article examines the role of national folk dances in the work of dancers and choreographers of our country, the specifics of the art of choreography, ancient values, priorities, as well as artistic principles, and the current objectives of the study

Аннотация

This article examines the role of national folk dances in the work of dancers and choreographers of our country, the specifics of the art of choreography, ancient values, priorities, as well as artistic principles, and the current objectives of the study. Isohor Akilov and his daughter Viloyat Akilova, who were able to show the traditions of Bukhara classical dance and its place in professional Uzbek dance, developed the traditions of Uzbek dance and studied the originality of the mastery of classical, folk and modern dances. it would be expedient to use it in the development of artistic processes. Keywords: Art, dance, choreographer, ensemble, Bukhara dance school, mavrigi, method, rhythm, melody. Today, about 100 dance groups operate in our country in order to develop the high spiritual qualities and values of the Uzbek people, to further develop and strengthen the Uzbek national dance art. Each of the dance teams has its own style and direction. These art groups work in the Tashkent-Fergana, Khorezm and Bukhara directions of the national dance school and contribute to the development of Uzbek dance. Rock carvings and archeological finds in Central Asia, including Uzbekistan, testify to the antiquity of the art of dance. The antiquity of the Uzbek dance art, the richness of directions and schools stems from the fact that our ancestors were mainly associated with agriculture and handicrafts. The art of national dance flourished during the reign of Amir Temur and the Temurids. The second half of the 15th century In the beginning of the 16th century, masters of dance nicknamed Sayyid Badr, Tahir Chakka, Mohchuchuk, Maqsudali, Katta Moh, Kichik Moh became famous. During this period, the art of dance developed in the field of folk dance and skilled dance. After the emergence of the Bukhara, Khiva and Kokand khanates in the XVIII-XIX centuries, unique styles began to appear in the art of dance. In Bukhara, female artists were called musicians, in Khiva - khalfa, and in the Fergana Valley - yallachi. During this period, compact theatrical groups of women artists developed and their programs were performed at banquets and parties. 73 ACADEMIC RESEARCH IN MODERN SCIENCE International scientific-online conference It is known that the Uzbek national dance art was further developed in our country in the 1920s. Dedicated artists such as Olim Olim Kamilov, Tamarakhonim, Mukarrama Turgunbaeva, Isokhor Akilov, Roziya Karimova created a national school of performance. Master artists enriched the art of national dance on the basis of centuries-old traditions and centuries-old values. This is especially evident in solo and group dances. At the end of the XIX and the beginning of the XX centuries in the musical culture of Bukhara, along with the art of "Shashmaqom" and international dance, the musical dance "Mavrigiykhanlik" was developed. This type of art is unique to the Bukhara region. "Mavrigikhanlik" is a unique style of singing, similar to the musical culture of Iran and Azerbaijan. This style of singing was called "Movriy", and the performer was called "Movrikhon". The term "Movriy" was used by the Bukhara ayans at different times from different parts of Khorasan, mainly from the city of Marv (a city in the lower reaches of the Murgab River) to the Iranians who migrated to Bukhara. Bukhara dances have been formed since ancient times and are distinguished by the courage and intensity of their movements, the richness of turns, semi-turns, horns and wheels. The services of Sadulla Sadullaev (1883), Tojiddin Sobirov, Bibishirin Mamanova (1872), Chervonhonim, Tufahonim (1926), Oliyakhon Khasanova in the preservation of the traditions of Bukhara dance art in the transmission of the Bukhara dance school to the next generation Irrigated by their deep spirit of life, a number of dances played an important role in the spiritual development of our people and gained great educational value. Isokhor Akilov, who shaped the centuries-old rich heritage of Bukhara dance and its unique national features in his work, founded a professional Bukhara dance school in the art of national dance. Isokhor Akilov creatively used the past traditions of master choreographers and enriched it through his own experiences. Isokhor Akilov began his career at the age of 14 learning the methods of the circle. This leads to the creation of a variety of dance techniques that are as necessary for the future dancer as air. I. Akilov gradually began to circle with his teachers at weddings in the mahallas. He manages to see the art of dancers from Bukhara to Samarkand, and then begins to master the wonderful but complex dance style of Bukhara. Learning these dances required a lot of hard work, practice and research from the young performer. Bukhara dances with such a variety of methods, melodies, hand and foot movements further enrich the 74 ACADEMIC RESEARCH IN MODERN SCIENCE International scientific-online conference thinking of Isakhor Akilov, which plays a