К содержанию
РецензированоEN2022

DEVELOPMENT OF MODERN COMMUNICATION IN MUSEUMS OF UZBEKISTAN

Shakhnoza A. Miralieva

Европейский международный журнал междисциплинарных исследований и менеджмента · 2022

Аннотация

In the XXI century, an interactive and communicative function of museums which provides facilitates the interaction of society and culture have appeared as a socio-cultural phenomenon. This article describes the concept of communication, and also scientists who have introduced museum communications to science and their research, and the development of modern communication in world practice. Innovative methods of the museums designed to engage audiences, and projects applied in several museums in the field of the history of Uzbekistan were introduced with their successful outcomes. KEYWORDS: Communicative function, museums, facilitates, interaction of society, socio-cultural phenomenon, concept of communication, museum communications, modern communication. INTRODUCTION modern communication in world practice. Innovative methods developed to attract In the XXI century, the interactive- visitors to the museum and projects communicative function of museums as a implemented in several history-oriented socio-cultural phenomenon, which ensures museums of Uzbekistan and their effective the interaction of society and culture, has results are described. emerged. This article describes the concept of communication, scientists who applied The museum is a place of spirituality and museum communication to science and their enlightenment that works in harmony with the research, measures for the development of consciousness, views, interests and future of “DEVELOPMENT OF MODERN COMMUNICATION IN MUSEUMS OF UZBEKISTAN” P age 20 | 5 society. This place, which is considered a local forms and other expressive forms. The complex of intellectual imagination, basis of communication is the creation of knowledge, development and communication, opportunities for the subject to understand has a great influence on the artistic and the information it has received [3]. aesthetic psyche of people. The introduction This work is primarily related to the problem of the concept of communication into the field of presentation, and the main task in this of museology is called the communicative process falls on historians, designers, artists approach to this field. who can skillfully create expositions that THE MAIN FINDINGS AND RESULTS illuminate history and art. Because, like guides, they do not express the meaning of the In order to show the theoretical basis of exhibits placed in the exposition in words, but museum communication in practice, we can provide the information to the audience give it as an example in a practical form. This without words. Their mission (with the help of practical form includes: theory, history, historians, academics and art historians) is to research, project vision. Based on these, a increase the effectiveness and understanding method of implementing the theory of of the display process. communication approach in museum work is created[1.191]. The exhibits in the museum store the events that happened in the society during a certain At the end of the 60s of the XX century, the period as physical evidence and are used as Canadian scientist D. F. Cameron [2.33-40] was evidence to prove a cultural or historical the first to develop the communicative theory event. It is important to understand not only in museology. His works made a real turn in the event itself, but also the purpose of the the development of the theory of museology, demonstration. led to a different look at the museum, that is, it is a place where all conditions are created for The peculiarity of understanding the essence establishing a dialogue with museum exhibits. of information also depends on being able to Based on this dialogue, if the museum visitor clearly demonstrate it. New methods are used is required to “know the language” of the to display museum exhibits. Taking into objects, the organizers of the exhibition are account that the visitors of the museum can be required to display the objects in such a way different categories of viewers, tactical that they can understand them without words. methods of presentation are also used. Such an approach to the issue allowed D.F. Modern technologies play an important role in Cameron, on the one hand, to skillfully the development of communication in XX-XXI organize the activities of the museum, to century museums. By giving objects a virtual ensure the collection and storage of objects, form with the help of electronic devices, it is and on the other hand, to create an possible to make a great impression on atmosphere of communication between the different categories of viewers and, most museum and people. importantly, on young people and students. In fact, communication (from the Latin If we look at the activities of Uzbeksiton sommunico - I communicate, ) is the transfer museums today, we can see that they are of information from one mind to another. moving away from yesterday’s monotony of Communication is necessarily carried out expositions, unchanging exhibitions and through some means, such a

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«In the XXI century, an interactive and communicative function of museums which provides facilitates the interaction of society and culture have appeared as a socio-cultural phenomenon.»

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In the XXI century, an interactive and communicative function of museums which provides facilitates the interaction of society and culture have appeared as a socio-cultural phenomenon. Полный текст публикации CiteX не хранит — доступ к первоисточнику открывается по DOI согласно лицензии издателя и выбранному плану.

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Журнал
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Узбекистан
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Communicative function, museums, facilitates, interaction of society, socio-cultural
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