Current Issues of Training Young Performers in Rubob Performance Begmatov Akmal Kaimjonovich

Аннотация

This article covers the current issues of the process of training young talents in rubab performance. It analyzes the stages of historical development of the art of rubab performance, the uniqueness of national schools and the experience of educating young performers in these schools. The article also describes the problems encountered in teaching rubab performance, the possibilities of using modern educational technologies, and methodological recommendations aimed at forming the musical thinking of young performers. The article outlines practical directions for developing a national instrumental performance school and high-quality training of the younger generation in the art of rubab, summarizes advanced experiences in this regard, and clarifies future tasks. Keywords: Rubab performance, young performers, national instrumental art, maqom, musical education, performance school, pedagogical methodology, innovative technologies, musical thinking, folk instruments. Therefore, the introduction of new pedagogical Introduction: The rubab instrument occupies a special approaches, innovative technologies in educating place in the development of Uzbek national musical art. young people in rubab performance, the scientific and For centuries, the rubab has served to create high theoretical substantiation and practical development examples of national musical culture with its delicate of national instrumental performance traditions are timbre, wide performance possibilities and unique among the urgent issues awaiting their solution today. means of artistic expression. In particular, in maqom styles, folk melodies and dance music, the rubab The training of young talents in rubab performance is instrument is valued not only as the main performing an integral part of national music education, and this instrument, but also as a vivid expression of national process is of great importance in preserving the rich identity and aesthetic views. In today's process of musical heritage of our people and passing it on to globalization and cultural integration, the issue of future generations. Today, the quality training of young preserving national musical traditions and instilling people studying rubab performance is closely related them in the hearts of the younger generation is to several factors, including methodological becoming more urgent. approaches in the educational process, the content of curricula, the qualifications of teachers and instructors, In this regard, training young talents in the art of rubab and the use of modern technologies. performance and educating them based on the traditions of national instrumental performance First of all, in the process of training young people in schools remains an important task not only to continue rubab performance, it is necessary to take into account the cultural heritage, but also to enrich it with new the specific characteristics of national instrumental artistic aspects at the modern stage. Today's music performance schools (Bukhara, Khorezm, Fergana- education system faces a number of problems in Tashkent schools). Each school differs in the technique teaching rubab performance. In particular, the lack of of playing the rubab, its melodiousness and artistic updating of teaching methodologies, insufficient use of interpretation. Therefore, in the training of young modern technologies, and the fact that curricula do not performers, identifying their individual abilities, fully meet the national and modern requirements determining which school traditions they are inclined affect the effectiveness of training young performers. to, and building training programs accordingly International Journal of Pedagogics 317 https://theusajournals.com/index.php/ijp International Journal of Pedagogics (ISSN: 2771-2281) increases the effectiveness of education. However, the issues of modern requirements, pedagogical approaches and methodological systems The current problems encountered in the process of for training young performers are covered more in the training rubab performance include the outdated form of general recommendations, and there are not content of some methodological manuals and enough studies with a systematic scientific and programs, and the insufficient introduction of modern practical basis. technologies - audiovisual materials, interactive programs. As a result, many young people face Pedagogical and methodological approaches to difficulties in mastering the rubab instrument perfectly. training young people in playing the rubab are At the same time, the quantity and quality of music considered in manuals dedicated to the methodology competitions, performance seminars and trainings of teaching playing Uzbek folk instruments (for aimed at developing the performance of national example, in publications of the State Conservatory of instruments, and classes organized based on the Uzbekistan). These manuals provide basic instructions teacher-student tradition also affect the