The Role And Significance Of F.N.Vasilev's Class In The Performance Of Folk Instruments Nabiyeva Malohat Abdumajidovna

Аннотация

This article analyzes the role and significance of the class of the teacher and performer F.N. Vasiliev, who played an important role in the development of the performance of folk instruments. F.N. Vasiliev's methodological approaches, his unique methods in the formation of performing skills in students, and his contribution to the stage and academic development of folk instruments are scientifically covered. The article also shows how the curriculum, repertoire selection, and approach to performance techniques of the Vasiliev class meet modern pedagogical requirements. The analysis is carried out on a comparative basis with national and world experience in the performance of folk instruments, and the relevance of the Vasiliev school in today's music education system is highlighted. Keywords: Folk instruments, performing arts, pedagogical methodology, music education, performance technique, instrumental school, musical heritage, curriculum, national traditions. development of folk instrument performance, its Introduction: Folk instruments are a musical musical and pedagogical heritage, its impact on expression of the spiritual world, historical memory modern performance culture, and the significance of and aesthetic thinking of the nation. Each nation this school in educating the next generation of ensures the continuity of its culture by preserving its musicians. musical traditions and passing them on to future generations. In particular, in performing arts, the styles As a result of the measures taken to improve the and schools formed through the master-student quality of the national higher education system based tradition are of decisive importance in this direction. on the competitive and global practice of national One of such creative schools is the class of F.N. Vasiliev, personnel in the “Strategy of Actions on Five Priority which made a huge contribution to the formation of Areas of Development of the Republic of Uzbekistan for completely new pedagogical approaches, performance 2017,” approved by the Decree of the President of the techniques and artistic culture in the performance of Republic of Uzbekistan No. PF 4947 dated February 7, folk instruments. 2017-2021, great work is being done in the field of art and culture in our country. In particular, we see that F.N. Vasiliev, not only a skilled performer, but also a there are music competitions in various schools and dedicated teacher of his time, created an important music educational institutions, and internal attention foundation for the appearance of folk instruments on to our historical music is increasing. We also think that the academic stage. Through his work, folk instruments this article will serve as an education for perfection in began to turn from a simple means of mass expression the minds of our student youth. into an important component of truly performing art. Vasiliev's class is recognized as a school that combines If we look at the history of the conservatory, the not only technical skill, but also aesthetic taste, stage Tashkent State Conservatory was founded in 1946. At culture, musical thinking and nationality. the same time, the Tashkent State Conservatory named after Mukhtar Ashrafi took on the task of training and Today, in the process of teaching folk instruments in educating qualified teachers and educators for the the music education system, the ideas and methods of development of instrumental performance. The the F.N. Vasiliev school are still relevant. In this article, famous people's artist, the famous Uzbek composer we aim to analyze the role of Vasiliev's class in the International Journal of Pedagogics 423 https://theusajournals.com/index.php/ijp International Journal of Pedagogics (ISSN: 2771-2281) Mukhtar Ashrafi, who paid great attention to the in the specialty "Folk Instruments". In 1952, the faculty performance of Uzbek folk instruments, the graduated for the first time (chan) Akhmadjon Odilov, performance of Uzbek music, and works created for (prima rubob) V.Ya. Borisenka, (kashkar rubob, dutor) folk instruments, lived and worked from 1912 to 1975. F.N. Vasiliev. Feoktist Nikiforovich Vasiliev (1919-1987 This great artist laid a great foundation for the State - teacher, master teacher, musician, the first to play the Conservatory of Uzbekistan. Initially, the Tashkent Kashgar rubab in Uzbekistan in the academic State Conservatory was named after Mukhtar Ashrafi. performance style. In 1937, he was admitted to the Khamza Music School in the Kashgar rubab class. Since M. Ashrafiy was interested in music, especially playing 1938, he has been working as a performer and musician the dutor, from childhood. The master artist received of the Uzbek Philharmonic Orchestra of Folk his first musical education in Bukhara at the technical Instruments. During the Great Patriotic War, he worked school and the Samarkand Research Institute of Music in the Song and Dance Ensemble of the Turkestan and Choreography. Famous music