Artistic Visual Means in Folk Epics Khudayberganova Dilafruz Usmanovna Basic doctoral student of the 1st stage of the Ajiniyaz NSPI, Uzbekistan

Аннотация

The article provides a scientific analysis of the use of artistic means of depiction in folk epics, their artistic interpretation and socio-spiritual content. The study examines the significance of artistic means of depiction in the epic «Ravshan», one of the brightest examples of Uzbek oral folk art, and their place in the epic. Keywords: Folklore, epic, image, imagery, metaphor, adjective, exaggeration. D.Uraeva, B.Sarimsakov in their research have Introduction: Folklore is an invaluable spiritual heritage elaborated on the formation of epic heroes, their roots that embodies the centuries-old life experience, and historical foundations in folk thinking. " thinking, hopes, and socio-political views of the people. In particular, folk epics, as a poetic form of historical The renowned folklorist scholar Hodi Zarif Fozil memory, deeply express the lifestyle, moral values, Yo'ldosh o'g'li, Ergash Jumanbulbul o'g'li, and traditions, and aspirations of the people. Through Muhammadqul Jomrot o'g'li Pölkan recorded famous epics, the people celebrated their most noble epic works such as "Alpomish," "Ravshan," "Rustam," aspirations, the heroes of their time, and their inherent and "Yusuf and Ahmad" from poets and conducted qualities. research on these epics. At the end of the 19th and the beginning of the 20th In 1965, folklorist Tura Mirzaev defended his centuries, folklorists determined that about one dissertation on the topic "Uzbek variants of the dastan hundred and fifty dastans were performed by Uzbek "Alpamysh," and in 1996, Jabbor Eshonkul defended his bakhshis, and, taking into account their varlants, about dissertation on the topic "The image of a giant in Uzbek four hundred works were recorded from them. folklore and its artistic interpretation." According to them, the number of epics in the A number of studies on epic works have also been "Go'ro'g'li" cycle alone exceeds one hundred, and the conducted in foreign folklore and literary studies. For "Alpomish" epic alone has more than forty recorded example, such scholars as J.Honko, A.Dandez, V.Propp, versions. having studied epic genres from structural, semantic, Analysis of literature on the topic (Literature review). A and functional points of view, showed that the image number of scientific works have been carried out on the of a folk hero can be interpreted as a universal study of folk epics and their artistic means of archetype. Through their approaches, it is determined expression. In these studies, the ideological and artistic that the image of the savior in the epics can be features, socio-philosophical approaches of the folk interpreted as a symbol of people's memory, social epic heritage were deeply studied. An important basis ideal, and national identity. Thus, although existing for these studies is, first of all, scientific works written literary sources have created a rich theoretical basis for about the general features, plot structure, and artistic studying the image of the savior in folk epics, there is analysis of the folk epic. Representatives of the Uzbek an opportunity to reveal new aspects of this image school of folklore studies - H.Sulaymonova, N.Mallaev, through comparative analysis and new methodological J.Jabborov, T.Mirzaev, J.Eshonkulov, M.Juraev, approaches. Sh.Turdimov, M.Inoyatov, O.Akhmedova,